1. Cyrano de Bergerac. Cyrano de Bergerac, verse drama in five acts by Edmond Rostand, performed in 1897 and published the following year. It was based only nominally on the 17th-century nobleman of the same name, known for his bold adventures and large nose. Set in 17th-century Paris, the action revolves around the emotional problems of the noble.
2. Format Available: PDF, ePub, Mobi Total Read: 28 Total Download: 177 File Size: 47,7 Mb. Description: Since its premier in 1897, Edmond Rostand's Cyrano de Bergerac has remained a classic of the world stage. With a heart as big as his nose, the poet-swordsman lends his words and wit to the handsome but tongue-tied Christian to win the hand of the fair Roxane.

Read Full Text and Annotations on Cyrano de Bergerac Act V - Scene VI at Owl Eyes. Read expert analysis on Cyrano de Bergerac Act V - Scene VI at Owl Eyes. Cyrano de Bergerac. Cyrano de Bergerac. Dedication Dramatis Personae Act I Act I - A Performance at the Hotel de Bourgogne.

Cyrano de Bergerac is a play written in 1897 by Edmond Rostand. There was a real Cyrano de Bergerac, and the play is a fictionalisation following the broad outlines of his life.

The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the classical alexandrine form, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the dames précieuses glimpsed before the performance in the first scene.

The play has been translated and performed many times, and is responsible for introducing the word 'panache' into the English language.^[1] Cyrano (the character) is in fact famed for his panache, and he himself makes reference to 'my panache' in the play. The two most famous English translations are those by Brian Hooker and Anthony Burgess.

• 1Plot summary
• 2Stage history
• 3Adaptations

Plot summary[edit]

Hercule Savinien Cyrano de Bergerac, a cadet (nobleman serving as a soldier) in the French Army, is a brash, strong-willed man of many talents. In addition to being a remarkable duelist, he is a gifted, joyful poet and is also a musician. However, he has an extremely large nose, which causes him to doubt himself. This doubt prevents him from expressing his love for his distant cousin, the beautiful and intellectual Roxane, as he believes that his ugliness would prevent him the 'dream of being loved by even an ugly woman.'

Act I – A Performance at the Hôtel Burgundy[edit]

The play opens in Paris, 1640, In the theatre of the Hôtel Burgundy. Members of the audience slowly arrive, representing a cross-section of Parisian society from pickpockets to nobility. Christian de Neuvillette, a handsome new cadet, arrives with Lignière, a drunkard whom he hopes will identify the young woman with whom he has fallen in love. Lignière recognizes her as Roxane, and tells Christian about her and the Count de Guiche's scheme to marry her off to the compliant Viscount Valvert. Meanwhile, Ragueneau and Le Bret are expecting Cyrano de Bergerac, who has banished the actor Montfleury from the stage for a month. After Lignière leaves, Christian intercepts a pickpocket and, in return for his freedom, the pickpocket tells Christian of a plot against Lignière. Christian departs to try to warn him.

The play 'Clorise' begins with Montfleury's entrance. Cyrano disrupts the play, forces Montfleury off stage, and compensates the manager for the loss of admission fees. The crowd is going to disperse when Cyrano lashes out at a pesky busybody, then is confronted by Valvert and duels with him while composing a ballade, wounding (and possibly killing) him as he ends the refrain (as promised, he ends each refrain with Qu'à la fin de l'envoi, je touche!: 'Then, as I end the refrain, thrust home!') When the crowd has cleared the theater, Cyrano and Le Bret remain behind, and Cyrano confesses his love for Roxane. Roxane's duenna then arrives, and asks where Roxane may meet Cyrano privately. Lignière is then brought to Cyrano, having learned that one hundred hired thugs are waiting to ambush him on his way home. Cyrano, now emboldened, vows to take on the entire mob single-handed, and he leads a procession of officers, actors and musicians to the Porte de Nesle.

Act II – The Poets' Cookshop[edit]

The next morning, at Ragueneau's bake shop, Ragueneau supervises various apprentice cooks in their preparations. Cyrano arrives, anxious about his meeting with Roxane. He is followed by a musketeer, a paramour of Ragueneau's domineering wife Lise, then the regular gathering of impoverished poets who take advantage of Ragueneau's hospitality. Cyrano composes a letter to Roxane expressing his deep and unconditional love for her, warns Lise about her indiscretion with the musketeer, and when Roxane arrives he signals Ragueneau to leave them alone.

Roxane and Cyrano talk privately as she bandages his hand (injured from the fracas at the Port de Nesle); she thanks him for defeating Valvert at the theater, and talks about a man with whom she has fallen in love. Cyrano thinks that she is talking about him at first, and is ecstatic, but Roxane describes her beloved as 'handsome,' and tells him that she is in love with Christian de Neuvillette. Roxane fears for Christian's safety in the predominantly Gascon company of Cadets, so she asks Cyrano to befriend and protect him. This he agrees to do.

After she leaves, Cyrano's captain arrives with the cadets to congratulate him on his victory from the night before. They are followed by a huge crowd, including de Guiche and his entourage, but Cyrano soon drives them away. Le Bret takes him aside and chastises him for his behavior, but Cyrano responds haughtily. The Cadets press him to tell the story of the fight, teasing the newcomer Christian de Neuvillette. When Cyrano recounts the tale, Christian displays his own form of courage by interjecting several times with references to Cyrano's nose. Cyrano is angry, but remembering his promise to Roxane, he holds in his temper.

Eventually Cyrano explodes, the shop is evacuated, and Cyrano reveals his identity as Roxane's cousin. Christian confesses his love for Roxane but his inability to woo because of his lack of intellect and wit. When Cyrano tells Christian that Roxane expects a letter from him, Christian is despondent, having no eloquence in such matters. Cyrano then offers his services, including his own unsigned letter to Roxane. The Cadets and others return to find the two men embracing, and are flabbergasted. The musketeer from before, thinking it was safe to do so, teases Cyrano about his huge nose and receives a slap in the face, and there was much rejoicing.

Act III – Roxane's Kiss[edit]

Outside Roxane's house Ragueneau is conversing with Roxane's duenna. When Cyrano arrives, Roxane comes down and they talk about Christian: Roxane says that Christian's letters have been breathtaking—he is more intellectual than even Cyrano, she declares. She also says that she loves Christian.

When de Guiche arrives, Cyrano hides inside Roxane's house. De Guiche tells Roxane that he has come to say farewell. He has been made a colonel of an army regiment that is leaving that night to fight in the war with Spain. He mentions that the regiment includes Cyrano's guards, and he grimly predicts that he and Cyrano will have a reckoning. Afraid for Christian's safety if he should go to the front, Roxane quickly suggests that the best way for de Guiche to seek revenge on Cyrano would be for him to leave Cyrano and his cadets behind while the rest of the regiment goes on to military glory. After much flirtation from Roxane, de Guiche believes he should stay close by, concealed in a local monastery. When Roxane implies that she would feel more for de Guiche if he went to war, he agrees to march on steadfastly, leaving Cyrano and his cadets behind. He leaves, and Roxane makes the duenna promise she will not tell Cyrano that Roxane has robbed him of a chance to go to war.

Roxane expects Christian to come visit her, and she tells the duenna to make him wait if he does. Cyrano presses Roxane to disclose that instead of questioning Christian on any particular subject, she plans to make Christian improvise about love. Although he tells Christian the details of her plot, when Roxane and her duenna leave, he calls for Christian who has been waiting nearby. Cyrano tries to prepare Christian for his meeting with Roxane, urging him to remember lines Cyrano has written. Christian however refuses saying he wants to speak to Roxane in his own words. Cyrano bows to this saying, 'Speak for yourself, sir.'

During their meeting Christian makes a fool of himself trying to speak seductively to Roxane. Roxane storms into her house, confused and angry. Thinking quickly, Cyrano makes Christian stand in front of Roxane's balcony and speak to her while Cyrano stands under the balcony whispering to Christian what to say. Eventually, Cyrano shoves Christian aside and, under cover of darkness, pretends to be Christian, wooing Roxane himself. In the process, he wins a kiss for Christian.

Roxane and Christian are secretly married by a Capuchin while Cyrano waits outside to prevent De Guiche from disrupting the impromptu wedding. Their happiness is short-lived: de Guiche, angry to have lost Roxane, declares that he is sending the Cadets of Gascony to the front lines of the war with Spain. De Guiche triumphantly tells Cyrano that the wedding night will have to wait. Under his breath, Cyrano remarks that the news fails to upset him.

Roxane, afraid for Christian, urges Cyrano to promise to keep him safe, to keep him out of dangerous situations, to keep him dry and warm, and to keep him faithful. Cyrano says that he will do what he can but that he cannot promise anything. Roxane begs Cyrano to promise to make Christian write to her every day. Brightening, Cyrano announces confidently that he can promise that.

Act IV – The Gascon Cadets[edit]

The Siege of Arras. The Gascon Cadets are among many French forces now cut off by the Spanish, and they are starving. Cyrano, meanwhile, has been writing in Christian's name twice a day, smuggling letters across enemy lines. De Guiche, whom the Cadets despise, arrives and chastises them; Cyrano responds with his usual bravura, and de Guiche then signals a spy to tell the Spanish to attack the Cadets, informing them that they must hold the line until relief arrives. Then a coach arrives, and Roxane emerges from it. She tells how she was able to flirt her way through the Spanish lines. Cyrano tells Christian about the letters, and provides him a farewell letter to give to Roxane if he dies. After de Guiche departs, Roxane provides plenty of food and drink with the assistance of the coach's driver, Ragueneau. De Guiche attempts to convince Roxane to leave the battlefield for a second time. When she refuses, de Guiche says he will not leave a lady behind. This impresses the cadets who offer him their leftovers, which de Guiche declines but ends up catching the cadets' accent which makes him even more popular with the cadets. Roxane also tells Christian that, because of the letters, she has grown to love him for his soul alone, and would still love him even if he were ugly.

Christian tells this to Cyrano, and then persuades Cyrano to tell Roxane the truth about the letters, saying he has to be loved for 'the fool that he is' to be truly loved at all. Cyrano disbelieves what Christian claims Roxane has said, until she tells him so as well. But, before Cyrano can tell her the truth, Christian is brought back to the camp, having been fatally shot. Cyrano realizes that, in order to preserve Roxane's image of an eloquent Christian, he cannot tell her the truth. The battle ensues, a distraught Roxane collapses and is carried off by de Guiche and Ragueneau, and Cyrano rallies the Cadets to hold back the Spanish until relief arrives.

Act V – Cyrano's Gazette[edit]

Fifteen years later, at a convent outside Paris. Roxane now resides here, eternally mourning her beloved Christian. She is visited by de Guiche, who is now a good friend and now sees Cyrano as an equal (and has been promoted to duke), Le Bret, and Ragueneau (who has lost his wife and bakery, and is now a candlelighter for Molière), and she expects Cyrano to come by as he always has with news of the outside world. On this day, however, he has been mortally wounded by someone who dropped a huge log on his head from a tall building. Upon arriving to deliver his 'gazette' to Roxane, knowing it will be his last, he asks Roxane if he can read 'Christian's' farewell letter. She gives it to him, and he reads it aloud as it grows dark. Listening to his voice, she realizes that it is Cyrano who was the author of all the letters, but Cyrano denies this to his death. Ragueneau and Le Bret return, telling Roxane of Cyrano's injury. While Cyrano grows delirious, his friends weep and Roxane tells him that she loves him. He combats various foes, half imaginary and half symbolic, conceding that he has lost all but one important thing – his panache – as he dies in Le Bret and Ragueneau's arms.

Stage history[edit]

On 28 December 1897, the curtain rose at the Théâtre de la Porte Saint-Martin,^[2] and the audience was pleasantly surprised. A full hour after the curtain fell, the audience was still applauding. The original Cyrano was Constant Coquelin, who played it over 410 times at said theatre and later toured North America in the role. The original production had sets designed by Marcel Jambon and his associates Brard and Alexandre Bailly (Acts I, III and V), Eugène Carpezat (Act II), and Alfred Lemeunier (Act IV). The earliest touring production of Cyrano was set up by Charles Moncharmont and Maurice Luguet. It was premiered in Monte Carlo on 29 March 1898, and subsequently presented in France, Belgium, Switzerland, Austria, Hungary, Serbia, Roumania, Bulgaria, Turkey, Egypt, Greece, Italy, Algeria, Tunisia and Spain. Special, transportable sets emulating the Parisian production were created for this tour by Albert Dubosq:

La troupe qui interprétera Cyrano de Bergerac se composera de quarante personnes. Les costumes et les décors seront identiques à ceux de la Porte Saint-Martin ; les costumes, au nombre de deux cent cinquante, faits sur mesure, les armes, cartonnages, tout le matériel seront exécutés par les fournisseurs de ce théâtre ; les décors seront brossés par Dubosq qui est allé, ces jours derniers, s’entendre à Paris avec les entrepreneurs de la tournée. ... la troupe voyage avec tout un matériel de décors à appliques, charnières, pièces démontables qui, pouvant se planter sur n’importe quelle scène et se divisant en tous petits fragments, s’installe aisément dans des caisses, sans peser relativement trop lourd et dépasser les dimensions admises par les chemins de fer.^[3]

Richard Mansfield was the first actor to play Cyrano in the United States in an English translation.

The longest-running Broadway production ran 232 performances in 1923 and starred Walter Hampden, who returned to the role on the Great White Way in 1926, 1928, 1932, and 1936.^[4] Hampden used the 1923 Brian Hooker translation prepared especially for him, which became such a classic in itself that it was used by virtually every English-speaking Cyrano until the mid-1980s.In 1946 Hampden passed the torch to José Ferrer, who won a Tony Award for playing Cyrano in a much-praised Broadway staging, the highlight of which was a special benefit performance in which Ferrer played the title role for the first four acts and Hampden (then in his mid-sixties) assumed it for the fifth. Ferrer reprised the role on live television in 1949 and 1955, and in a 1950 film version for which he won the Academy Award for Best Actor. It became Ferrer's most famous role.

Other notable English-speaking Cyranos were Ralph Richardson, DeVeren Bookwalter, Derek Jacobi, Michael Kanarek, Richard Chamberlain, and Christopher Plummer, who played the part in Rostand's original play and won a Tony Award for the 1973 musical adaptation. Kevin Kline played the role in a Broadway production in 2007, with Jennifer Garner playing Roxane and Daniel Sunjata as Christian. A taped version of the production was broadcast on PBS' Great Performances in 2009. In 2018, David Serero is the first French actor to play Cyrano in America in English language.

Later stage versions[edit]

• 1962/1963Stratford Shakespeare Festival performed the play for two seasons, with John Colicos in the title role.^[5]
• 1970Anthony Burgess wrote a new translation and adaptation of Cyrano de Bergerac, which had its world premiere at the Guthrie Theater in Minneapolis. Paul Hecht was Cyrano. Also in the cast were Len Cariou as Christian, and Roberta Maxwell as Roxane. A later production was the Royal Shakespeare Company's acclaimed 1983 stage production, starring Derek Jacobi as Cyrano and Alice Krige (later Sinéad Cusack) as Roxane, which was videotaped and broadcast on television in 1985. For this production, Burgess very significantly reworked his earlier translation; both Burgess translations have appeared in book form.
• 1973 A musical adaptation by Anthony Burgess, called Cyrano and starring Christopher Plummer (who won a Tony Award for his performance), appeared in Boston and then on Broadway. Twenty years later, a Dutch musical stage adaptation was translated into English and produced on Broadway as Cyrano: The Musical. Both the 1973 and 1993 versions were critical and commercial failures. In the same year, the Azerbaijani composer Gara Garayev wrote the musical The Furious Gasconian, based on the play.
• 1977 A condensed version of Rostand's play, in prose, was written by the Scottish writer Tom Gallacher and performed at the Pitlochry Festival Theatre.
• 1982/1983The Shaw Festival in Niagara-on-the-Lake, Ontario, produced the play for two seasons, directed by Derek Goldby and starring Heath Lamberts.^[6]
• 1983 - 85 Emily Frankel^[7] wrote a condensed prose adaptation for her husband John Cullum which was first performed at Syracuse Stage, directed by Arthur Storchin 1983, then at Atlanta's Alliance Theatre in 1984. A national tour in 1985-1986 concluded with a month's stay at Baltimore's Morris Mechanic Theatre.
• 1989Off Broadway the play has been staged several times, including a New York City parks tour starring Frank Muller, produced by the Riverside Shakespeare Company.^[8]
• 1992John Wells wrote an adaptation called Cyrano, first presented at the Haymarket Theatre in London.^[9]
• 1992Edwin Morgan wrote a translation in Scots verse, which was first performed by the Communicado Theatre Company.^[10] The National Theatre of Scotland also produced this version in 2018.^[11]
• 1994 The Stratford Shakespeare Festival presented the play, directed by Derek Goldby and starring Colm Feore.^[12]
• 1995 Jatinder Verma wrote and directed an adaptation in English, Hindi and Urdu set in 1930s India starring Naseeruddin Shah. The play opened at the National Theatre, London in October.
• 1997Pierre Lebeau starred in the Théâtre du Nouveau Monde's 1996 production. A great success, the January production was reprised in July (without air conditioning). In November, Antony Sher performed the title role in the Lyric Theatre's production directed by partner Gregory Doran. Frank Langella created and directed and performed the title role in a stripped-down version of the play simply titled Cyrano. Cyrano de Bergerac is one of the two plays 'performed' during Ken Ludwig's comedic play, Moon Over Buffalo, the other being Private Lives.
• 2004Barksdale Theatre in Richmond began its 50th Anniversary season with a production of Emily Frankel's Cyrano, starring David Bridgewater.
• 2005 A new adaptation written in verse by Barry Kornhauser was produced by The Shakespeare Theatre in Washington, DC, under the direction of Artistic Director Michael Kahn, and went on to become the most highly honored of DC's plays that year winning multiple Helen Hayes Awards including 'Outstanding Play.'
• 2007 A new translation of the play by Ranjit Bolt opened at Bristol Old Vic in May.^[13] Sound & Fury, a Los Angeles-based comedy trio, presented their parody of the play, called Cyranose! in L.A. at Café-Club Fais Do-Do in September 2007. It was also filmed and released on DVD.
• 2006 Barry Wyner loosely based his new musical Calvin Berger on Rostand's play.
• 2009 The Stratford Shakespeare Festival again performed the play during their 2009 season, with Colm Feore returning in the title role, directed by Donna Feore. This production was unique in that it combined the translation by Anthony Burgess with portions of the original French text, taking advantage of Canadian bilingualism for dramatic effect.^[14]
• 2011 Another new translation by Michael Hollinger had its premier at the Folger Theatre, Washington, D.C., in April. Directed by Aaron Posner and produced by Janet Griffin, the adaptation is an accessible American translation that is true to the intent and sensibility of the original.
• 2012Roundabout Theatre Company presented a production of Cyrano de Bergerac from 11 October to 25 November with Douglas Hodge in the lead at the American Airlines Theatre for a limited engagement.^[15][16]
• 2013 The Hudson Shakespeare Company of New Jersey presented a version directed by Gene Simakowicz as part of their annual Shakespeare in the Parks tour. The version was based on adaptation from Edmund Rostand's original play and starred Jon Ciccareli as Cyrano, Laura Barbiea as Roxane and Matt Hansen as Christian.^[17]
• 2013 The play was adapted by Glyn Maxwell and performed at Grosvenor Park Open Air Theatre in Chester^[18]
• 2014 the Sydney Theatre Company presented a version of the play adapted by Andrew Upton with Richard Roxburgh in the lead role, Eryn Jean Norvill as Roxane and Julia Zemiro as Duenna.^{[19][20][21][22]}
• 2015 A new and gender-swapped translation was adapted and directed by Professor Doug Zschiegner with Niagara University Theatre titled, CyranA.^[23]
• 2016 Theatre Latté Da premiered a new musical adaptation titled C. at the Ritz Theater in March in Minneapolis. The production was directed by the company's founder and artistic director Peter Rothstein, with music by Robert Elhai, and book and lyrics by Bradley Greenwald, who also starred in the musical as Cyrano.^[24]
• 2018 The Gloucester Stage Company premiered an adaptation for five actors by Jason O'Connell and Brenda Withers. This adaptation was performed at the Hudson Valley Shakespeare Festival during the summer of 2019.^[25]
• 2018 The history of the play is explored in Theresa Rebeck's 2018 Broadway play Bernhardt/Hamlet.
• 2019 The Guthrie Theater in Minneapolis produced an adapted version of the show.^[26]
• 2019 The Michigan Shakespeare Festival, Jackson, and Canton MI, Directed by Janice L. Blixt.
• 2019 The Shaw Festival again produced the play for the 2019 season, with a new translation by Kate Hennig, directed by Chris Abraham, and starring Tom Rooney.^[27]

Adaptations[edit]

Films[edit]

See Cyrano de Bergerac (film)

• 1925 A silent, hand-tinted French-Italian film version of the play, starring Pierre Magnier
• 1945Love Letters is a screen adaptation by novelist Ayn Rand of the book Pity My Simplicity by Christopher Massie which converted his story into an adaptation of Rostand's play. The heroine, Singleton (played by Jennifer Jones), falls in love with a soldier during World War II, believing him to be the author of certain love letters that had been written for him by another soldier at the front. In this version, the heroine discovers the identity of the true author (played by Joseph Cotten) in time for the protagonists to experience a 'happy ending.' The film, produced by Hal Wallis, was a commercial success and earned four nominations for Academy Awards, including that of Jones for 'Best Actress of 1945,' and was one of the four films which paired Jones and Cotton as romanic leads. (The others were Since You Went Away, 1944, Duel in the Sun, 1946, and Portrait of Jennie, 1948.) The musical score by Victor Young was also nominated for an Oscar, and featured the melody of the hit song 'Love Letters', which has been recorded by numerous artists since 1945, including Rosemary Clooney, Dick Haymes, Nat King Cole, Elvis Presley, Jack Jones, Engelbert Humperdinck, Shelley Fabares, Elton John and Sinéad O'Connor. The melody or song has been reused in other films, including the Blue Velvet (1986), directed by David Lynch.^[28][29][30]
• 1945 There is also a relatively unknown French-language black-and-white film version made in 1945, starring Claude Dauphin. Posters and film stills give the impression that the set designs and costumes of the 1950 José Ferrer film may have been modeled on those in the 1945 movie.^[31]
• 1950José Ferrer played the role in the 1950 film, the first film version of the play made in English. The film was made on a low budget, and although it was highly acclaimed, it was a box office disappointment and was nominated for only one Oscar – Best Actor – which was won by Ferrer. Nevertheless, it has become a film classic. Mala Powers co-starred as Roxane and William Prince played Christian. This is perhaps the most famous film version of the play. Ferrer reprised the role in Cyrano and d'Artagnan, a 1964 film directed by Abel Gance.
• 1959Aru kengo no shogai (Life of an Expert Swordsman) is a samurai film by Hiroshi Inagaki, adapted from Rostand's Cyrano de Bergerac, and starring Toshiro Mifune in the Cyrano role. It was released in the English-language market with the title Samurai Saga.
• 1984Electric Dreams is the story of a personal computer that becomes self-aware, falls in love with a musician, and then wins her for his socially awkward owner.
• 1987 film Roxanne, a contemporary comedy version with a happy ending added, starred Steve Martin as C.D. Bales, Daryl Hannah as Roxanne, and Rick Rossovich as Chris.
• 1990French movie adaptation with Gérard Depardieu in the title role won several awards including an Oscar.
• 2009The Ugly Truth is a 2009 American romantic comedy film starring Katherine Heigl and Gerard Butler, featuring a scene at a baseball game where Mike (Gerard Butler) advises remotely via radio Abby (Katherine Heigl) in an earpiece telling her what to say to her date to win him.
• 2012Let It Shine is a Disney Channel Original Movie loosely based on this story. It stars an aspiring teenage musician named Cyrus DeBarge who allows his friend, Kris, to use his music to win over their childhood friend, Roxie, who is a professional singer.
• 2014 A Telugu romantic comedy movie, Oohalu Gusagusalade, is an adaptation of the play.^[32]
• 2018Sierra Burgess is a Loser is a Netflix original movie, retelling this story through catfishing, texting, and high school social hierarchy.
• 2018#Roxy is a Canadian romantic comedy film and a modern retelling of the play.^[33]

Animations[edit]

• 1985–1987Spartakus and the Sun Beneath the Sea is a French animated series created by Nina Wolmark. Episode 3, Season 2, aired on October 15, 1986, entitled briefly 'Cyrano', presents another failed attempt of our protagonists (Arkana, Spartakus, Matt and Rebecca) to restore the lost city of Arkadia, when the power of its sun, Tehra, began to fail. Their giant ship Tehrig lands this time on the planet of Borbotrek, ruled by Lord Cyrano, a great scientist, that is thought to know the secret of Arkadia. He proves to be the sole creator of Borbotrek and its citizens (who only speak in rhyme), through the power of imagination and pushed by the impetus of an idealized love for a mysterious Lady Roxanne. Cyrano would only allow women in his palace, hoping that one of them might be Roxanne, that's why he lets Arkana in, thinking her to be the one, and willing to tell her the 'secret'. There is a misunderstanding between the two on that matter, leaving Arkana without the solution to save her city, and Cyrano having to face unrequited love. This causes the cities and the people of his planet to vanish, because of his broken heart. The end of the episode is optimistic though, bringing Cyrano to the realization that he doesn't need to fulfill his love on a material level in order to create life out of imagination, that his inner world and ideals are enough of a motivation in order to see what is 'real' for him. This represents the key to his eternal problem, since the episode ends with the image of Roxanne asking to see Cyrano by the gates of his palace.
• 2018Bob's Burgers is an animated series created by Loren Bouchard. Episode 11, Season 8, aired on March 25, 2018, titled 'Sleeping with the Frenemy', tells the story of Tina a protagonist allowing Tammy, her rival, to stay with the Belchers during Spring Break and fixes her up with a boy from out of town, Brett. Tina talks to Brett through Tammy in order to help her win a date. Tina ends up falling for Brett and the truth eventually comes out. Tammy convinces Brett to go on a walk with Tina on the beach. The episode closes with Tina and Brett sharing a kiss on the Warf.

Radio[edit]

Kenneth Branagh starred as Cyrano, Jodhi May as Roxanne, and Tom Hiddleston as Christian, in a 2008 BBC Radio 3 production using the Anthony Burgess translation and directed by David Timson. This production first aired on BBC Radio 3 on 23 March 2008 and was re-broadcast on 4 April 2010.^[34]

Len Cariou and Roberta Maxwell starred in a 1980 CBC Television version directed by Peabody-winner Yuri Rasovsky.

Tom Burke and Emily Pithon starred in a 2015 BBC Radio 4 version for 15 Minute Drama, spanning five 15 minute episodes. It was adapted by Glyn Maxwell, and directed by Susan Roberts.^[35]

Opera[edit]

An opera in French, Cyrano de Bergerac, whose libretto by Henri Cain is based on Rostand's words, was composed by the Italian Franco Alfano and was first presented in an Italian translation in 1936. In recent years, the original French version has been revived in productions including the Opéra national de Montpellier with Roberto Alagna in 2003, and a 2005 Metropolitan Opera production with Plácido Domingo in the title role; both are available in DVD recordings.

Victor Herbert's unsuccessful 1899 operettaCyrano de Bergerac, with a libretto by Harry B. Smith based on the play, was one of Herbert's few failures.

Walter Damrosch's Cyrano, another operatic adaptation of Cyrano de Bergerac, premiered in 1913 at the Metropolitan Opera.Eino Tamberg composed another opera titled Cyrano de Bergerac in 1974, to a libretto in Estonian by Jaan Kross, based on Rostand's play.^[36]The opera Cyrano by David DiChiera to a libretto by Bernard Uzan premiered at the Michigan Opera Theatre on 13 October 2007.^[37]

Scientific studies: 'Cyranoids'[edit]

Inspired by the balcony scene in which Cyrano provides Christian with words to speak to Roxane, Stanley Milgram developed an experimental technique that used covert speech shadowing to construct hybrid personae in social psychological experiments, wherein subjects would interact with a 'Cyranoid' whose words emanated from a remote, unseen 'source'.^[38][39]

References[edit]

1. ^Edmond Rostand (1 September 1998). Cyrano de Bergerac: A Heroic Comedy in Five Acts. ISBN9780192836434. Retrieved 17 March 2012.
2. ^The Cambridge Guide to Theatre, Cambridge University Press (1995)
3. ^L'Eventail, 6 March and 17 April 1898.
4. ^The Broadway League. 'Internet Broadway Database: Walter Hampden Credits on Broadway'. Ibdb.com. Retrieved 17 March 2012.
5. ^'Past Productions'. Stratford Festival. Retrieved 28 July 2019.
6. ^'Review - Cyrano de Bergerac - Stratford Festival - Christopher Hoile'. Stage Door. 17 July 2009. Retrieved 28 July 2019.
7. ^'TheReadery'. thereadery.com.
8. ^'Review/Theater; Cyrano Opens a Tour of the Parks,' New York Times, 6 July 1989.
9. ^'John Wells' plays'. Doollee.com. Retrieved 17 March 2012.
10. ^'Cyrano de Bergerac / 1992'. communicado theatre. 15 January 2016. Retrieved 4 November 2018.
11. ^'Cyrano de Bergerac'. National Theatre Scotland. Retrieved 4 November 2018.
12. ^'Review - Cyrano de Bergerac - Stratford Festival - Christopher Hoile'. Stage Door. 17 July 2009. Retrieved 28 July 2019.
13. ^'Cyrano de Bergerac'. The Stage. 10 May 2007. Retrieved 18 April 2012.
14. ^'Review - Cyrano de Bergerac - Stratford Festival - Christopher Hoile'. Stage Door. 17 July 2009. Retrieved 28 July 2019.
15. ^'Spotlight On: Cyrano de Bergerac'. Tony Awards. Archived from the original on 12 May 2013. Retrieved 23 April 2013.
16. ^Blank, Matthew (12 October 2012). 'PHOTO CALL: Cyrano de Bergerac Opens on Broadway; Red Carpet Arrivals, Curtain Call and Party'. Playbill. Archived from the original on 7 May 2013. Retrieved 23 April 2013.
17. ^''Cyrano' kicks off Shakespeare series in Kenilworth'. The Cranford Chronicle. 17 June 2013.
18. ^'Cyrano de Bergerac'. Grosvenor Park Open Air Theatre.
19. ^Blake, Elissa (2 November 2014). 'Richard Roxburgh revels in lead role in Sydney Theatre Company's Cyrano de Bergerac'. The Sydney Morning Herald. Retrieved 14 November 2014.
20. ^Low, Lenny Ann (7 November 2014). 'Richard Roxburgh dons Cyrano de Bergerac's false nose for Sydney Theatre Company'. The Sydney Morning Herald. Retrieved 14 November 2014.
21. ^Blake, Elissa. 'Julia Zemiro on going for it on stage and making bold choices for Cyrano de Bergerac'. The Sydney Morning Herald (6 November 2014). Retrieved 14 November 2014.
22. ^Blake, Jason (16 November 2014). 'Cyrano de Bergerac review: Andrew Upton's nose for success pays off with Richard Roxburgh'. The Sydney Morning Herald. Retrieved 16 November 2014.
23. ^Houle, Niagara University - Andrew. 'Past Seasons'. theatre.niagara.edu. Retrieved 15 January 2018.
24. ^Royce, Graydon. 'Cyrano sings a new tune as Theater Latte Da premieres new musical 'C''. StarTribune.com. StarTribune. Retrieved 2 May 2016.
25. ^Aucoin, Don. 'A 'Cyrano' with panache at Gloucester Stage'. bostonglobe.com. Boston Globe. Retrieved 10 August 2018.
26. ^'Cyrano de Bergerac | Guthrie Theater'. www.guthrietheater.org. Retrieved 21 March 2019.
27. ^'New adaptation of Cyrano de Bergerac begins previews at The Shaw'(PDF). Shaw Festival. 25 July 2019. Retrieved 28 July 2019.
28. ^Heller, Anne C. (2009). Ayn Rand and the World She Made. New York: Doubleday. p. 410. ISBN978-0-385-51399-9..
29. ^'NY Times: Love Letters'. NY Times. Retrieved 19 December 2008..
30. ^Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 345..
31. ^'Sur scènes et sur écrans : 1946 – Claude Dauphin – CYRANO DE BERGERAC: toute l information sur cyrano (s) de bergerac, personnage de Edmond de Rostand'. Cyranodebergerac.fr. Retrieved 17 March 2012.
32. ^'Oohalu Gusagusalade Movie Review'. The Times of India.
33. ^Sorochan, Alexander (11 July 2016). 'Edmonton's Mosaic Entertainment shooting romantic comedy #Roxy here'. Edmonton Journal. Retrieved 28 June 2019.
34. ^'BBC Radio 3 - Drama on 3 - Cyrano de Bergerac'. BBC Online. Retrieved 21 August 2016.
35. ^'BBC Radio 4 - 15 Minute Drama, Cyrano de Bergerac'. BBC Online. Retrieved 16 June 2015.
36. ^'Tamberg, Eino'. The New Grove Dictionary of Music and Musicians. 25 (Second ed.). London. 2001.
37. ^'Cyrano – A World Premiere Opera'. Michigan Opera Theatre. 2007. Retrieved 19 August 2008.
38. ^Milgram, S. (1984). Cyranoids. In Milgram (Ed), The individual in a social world. New York: McGraw-Hill
39. ^Corti, Kevin; Gillespie, Alex (2015). 'Revisiting Milgram's Cyranoid Method: Experimenting with Hybrid Human Agents'(PDF). The Journal of Social Psychology. 155 (1): 30–56. doi:10.1080/00224545.2014.959885. PMID25185802.

External links[edit]

The full text of Cyrano de Bergerac at Wikisource, translated by Gladys Thomas and Mary F. Guillemard.

• Translated by Brian Hooker at Archive.org
• Cyrano de Bergerac public domain audiobook at LibriVox
• Excerpts from Anthony Burgess's translation at GoogleBooks
• 1947 Theater Guild on the Air radio adaptation at Internet Archive

Savinien de Cyrano de Bergerac (/ˌsɪrənoʊdəˈbɜːrʒəræk, - ˈbɛər-/SIRR-ə-noh də BUR-zhə-rak, -⁠ BAIR-, French: [savinjɛ̃ d(ə) siʁano d(ə) bɛʁʒəʁak]; 6^{[note 1]} March 1619 – 28 July 1655) was a French novelist, playwright, epistolarian and duelist.

A bold and innovative author, his work was part of the libertine literature of the first half of the seventeenth century. Today he is best known as the inspiration for Edmond Rostand's most noted drama Cyrano de Bergerac, which, although it includes elements of his life, also contains invention and myth.

Since the 1970s, there has been a resurgence in the study of Cyrano, demonstrated in the abundance of theses, essays, articles and biographies published in France and elsewhere in recent decades.

• 1Life
  • 1.2Family
  • 1.3Childhood and adolescence
• 2Life and works
• 3In fiction
• 4Bibliography
• 7References
  • 7.2Studies of Cyrano or his work

Life[edit]

Sources[edit]

Cyrano's short life is poorly documented. Certain significant chapters of his life are only known from the Preface to the Histoire Comique par Monsieur de Cyrano Bergerac, Contenant les Estats & Empires de la Lune (Comical History of the States and Empires of the Moon) published in 1657, nearly two years after his death.^[2] Without Henri Le Bret, who wrote the biographical information, his country childhood, his military engagement, the injuries it caused, his prowess as a swordsman, the circumstances of his death and his supposed final conversion would remain unknown.

Since 1862 when Auguste Jal revealed that the 'Lord of Bergerac' was Parisian and not Gascon, research in parish registries and notarial records by a small number of researchers,^{[3][4][5][6][7][8][9][10][11][12][13][14]} in particular Madeleine Alcover of Rice University, has allowed the public to know more about his genealogy, his family, his home in Paris and those of some of his friends, but has revealed no new documents that support or refute the essentials of Le Bret's account or fill the gaps in his narrative.^{[note 2]}

Family[edit]

Savinien II de Cyrano was the son of Abel I de Cyrano, lord of Mauvières, (156?-1648), counsel (avocat) of the Parliament of Paris,^{[note 3]} and of Espérance Bellanger (1586-164?), 'daughter of deceased nobleman Estienne Bellanger, Counsellor of the King and Treasurer of his Finances'.

Ancestors[edit]

His paternal grandfather, Savinien I de Cyrano (15??-1590), was probably born into a notable family from Sens^{[note 4]} in Burgundy. Documents describe him in turn as a 'merchant and burgher of Paris' (« marchand et bourgeois de Paris » 20 May 1555), '(sea-)fish merchant to the King' (« vendeur de poisson de mer pour le Roy ») in several other documents in following years,^[16] and finally 'Royal counsellor' (« conseiller du Roi, maison et couronne de France » 7 April 1573). In Paris, on 9April 1551, he married Anne Le Maire, daughter of Estienne Le Maire and Perrette Cardon, who died in 1616. They are known to have had four children: Abel (the writer's father), Samuel (15??-1646), Pierre (15??-1626) and Anne (15??-1652).

Of his maternal grandfather, Estienne Bellanger, 'Financial Controller of the Parisian general revenue' (« contrôleur des finances en la recette générale de Paris »), and of his background, we know almost nothing. We know more about his wife, Catherine Millet, whose father, Guillaume II Millet, Lord of Caves, was secretary of the King's finances, and whose grandfather, Guillaume I Millet (149?-1563), qualified in medicine in 1518, was doctor to three kings in succession (Francis I, Henry II and Francis II). He married Catherine Valeton, daughter of a property tax collector from Nantes, Audebert Valeton, who, accused of involvement in the Affair of the Placards, was 'burned alive on wood taken from his house' ^{[note 5]} on 21 January 1535 at the crossroads of la Croix du Trahoir (the intersection of the Rue de l'Arbre-Sec and the Rue Saint-Honoré), in front of the Pavillon des singes, where Molière lived almost a century later.^[18]

Cyrano De Bergerac Pdf Indir

Parents[edit]

Espérance Bellanger and Abel I de Cyrano were married on 3September 1612 at the church of St-Gervais-et-St-Protais. She was at least twenty-six years old;^{[note 6]} he was about forty-five.^{[note 7]} Their marriage contract,^{[note 8]} signed the previous 12July at the office of Master Denis Feydeau, counsellor, secretary and king's notary, second cousin of the bride, was only published in the year 2000 by Madeleine Alcover,^[19] who minutely traces the fate of the witnesses (and more particularly their links with pious milieus) and notes that many of them 'had entered the worlds of high finance, the noblesse de robe, of the aristocracy (including the Court) and even the noblesse d'épée'.

His father's library[edit]

In 1911 Jean Lemoine made known the inventory of Abel de Cyrano's worldly goods.^[20] His library, relatively poorly stocked (126 volumes), testifies to his schooling as a jurist and to an open curiosity: a taste for languages and ancient literature, the great humanists of the Renaissance (Erasmus, Rabelais, Juan Luis Vivès), knowledge of Italian, interest in the sciences. On the religious side, one notices the presence of two Bibles, of an Italian New Testament and the Prayers of St. Basil in Greek, but no pious works. There is no object of that kind (engraving, painting, statue, crucifix) amongst the other inventoried items, but in contrast 'twelve small paintings of portraits of gods and goddesses' and 'four wax figures: one of Venus and Cupid, another of a woman pulling a thorn, one of a flageolet player and one of an ashamed nude woman'.^{[note 9]} Finally, one notes the presence of several books by well-known Protestants: the Discours politiques et militaires ('Political and Military Discourse') of François de la Noue, two volumes of George Buchanan, the Dialectique of Pierre de La Ramée, the Alphabet de plusieurs sortes de lettres ('Alphabet of different kinds of letters') by master calligrapher Pierre Hamon and La Vérité de la religion chrétienne ('The Truth of the Christian Religion') by Philippe Duplessis-Mornay, whose presence confirms that Abel spent his younger years in Huguenot surroundings.^[22]

Siblings[edit]

Espérance and Abel I had at least six children:

• Denis, baptised at the church of Saint-Eustache on 31 March 1614 by Anne Le Maire, his grandmother, and Denis Feydeau, financier. He studied Theology at the Sorbonne and died in the 1640s;
• Antoine, baptized at Saint-Eustache on 11 February 1616 by his paternal aunt, Anne Cyrano, and a godfather who is not named in the baptismal register discovered by Auguste Jal, but who might have been the financier Antoine Feydeau (1573–1628), younger brother of Denis. Died at a young age;
• Honoré, baptized at Saint-Eustache on 3July 1617 by Honoré Barentin, trésorier des parties casuelles, and an unnamed godmother. Died at a young age;
• Savinien II (1619–1655),
• Abel II, born around 1624,^{[note 10]} who took the title 'Lord of Mauvières' after the death of his father in 1648;
• Catherine, whose date of birth is not known and who died in the early years of the following century, having become a nun at the convent of the Filles de la Croix (de Paris) ('Daughters of the Cross (Paris)') in the Rue de Charonne in 1641, under the name Sister Catherine de Sainte-Hyacinthe.^[23]

Childhood and adolescence[edit]

Baptism and godparents[edit]

The historian Auguste Jal discovered the baptism of the (then) supposed Gascon in the 1860s:

Finally, after long exertion, I knew that Abel Cyrano had left the neighbourhood of Saint-Eustache for that of Saint-Sauveur, and that Espérance Bellanger had given birth in this new dwelling to a boy whose baptismal record is as follows: 'The sixth of March one thousand six hundred and nineteen, Savinien, son of Abel de Cyrano, squire, Lord of Mauvières, and of the lady Espérance Bellenger (sic), the godfather, nobleman Antoine Fanny, King's Counsellor and Auditor in his Court of Finances, of this parish, the godmother the lady Marie Fédeau (sic), wife of nobleman Master Louis Perrot, Counsellor and Secretary to the King, Household and Crown of France, of the parish of Saint-Germain-l'Auxerrois'. This son of Abel de Cyrano who was not given the name of his godfather, Antoine, because he had a brother of that name, born in 1616, but was named Savinien in memory of his grandfather, who could doubt that this was the Savinien Cyrano who was born, according to the biographers, at the chateau of Bergerac in or around 1620?^[24]

Thus Espérance Bellanger was thirty-three years old, Abel de Cyrano around fifty-two.

The surname Fanny appears nowhere in the very complete study of La Chambre des comptes de Paris ('Court of Finances of Paris') published by Count H. Coustant d'Yanville in 1875 (or for that matter in any other French document of the 17th century). In 1898, Viscount Oscar de Poli suggested that it must have been a transcription error and proposed reading it as Lamy.^[25] An Antoine Lamy had actually been accepted as an auditor of finances on 2September 1602, a year before Pierre de Maupeou, Espérance Bellanger's cousin and son-in-law of Denis Feydeau who was a witness to the marriage of Savinien's parents in 1612.^[26] His wife, Catherine Vigor, associate of Vincent de Paul, would become President of the Confrérie de la Charité de Gentilly ('Charitable Fellowship of Gentilly') where the couple set up a mission in 1634.^[27] She could well be the godmother of Catherine de Cyrano.

Marie Feydeau, cosponsor with Antoine Lamy, was the sister of Denis and Antoine Feydeau and the wife of Louis (or Loys) Perrot (15??-1625), who, apart from his titles of 'King's Counsellor and Secretary', also had that of 'King's Interpreter of Foreign Languages'.^[28]

Mauvières and Bergerac[edit]

In 1622, Abel de Cyrano left Paris with his family and went to settle on his lands at Mauvières and Bergerac in the Vallée de Chevreuse, which had come to him in part after the death of his mother in 1616.

His possessions, situated on the banks of the Yvette River in the parish of Saint-Forget, had been purchased by Savinien I de Cyrano forty years earlier from Thomas de Fortboys, who had bought them himself in 1576 from Lord Dauphin de Bergerac (or Bergerat), whose ancestors had possessed them for more than a century.^{[note 11]}

When Savinien I de Cyrano acquired it, the domain of Mauvières consisted of 'a habitable mansion…with a lower room, a cellar beneath, kitchen, pantry, an upper chamber, granaries, stables, barn, portal, all roofed with tiles, with courtyard, walled dovecote; mill, enclosed plot, garden and fishpond, the right of middle and low justice…'.

The estate of Bergerac, which adjoined Mauvières, 'comprised a house with portal, courtyard, barn, hovel and garden, being an acre or thereabouts, plus forty-six and a half acres, of which thirty-six and a half were farmland and ten woodland, with the rights of middle and low justice'.^[30]

Cyrano De Bergerac Pdf Gratuit

Country schooling[edit]

It was in this rustic setting that the child grew up and in the neighbouring parish he learnt to read and write. His friend Le Bret recalls:

The education that we had together with a good country priest who took in boarders, made us friends from our most tender youth, and I remember the aversion he had from that time for one who seemed to him a shadow of Sidias,^{[note 12]} because, in the thoughts which that man could somewhat grasp, he believed him incapable of teaching him anything; so that he paid so little attention to his lessons and his corrections that his father, who was a fine old gentleman, fairly unconcerned for his children's education and overly credulous of this one's complaints, removed him [from the school] a little too suddenly and, without considering if his son would be better off elsewhere, he sent him to that city [Paris] where he left him, until the age of nineteen years, to his own devices.^{[note 13][33]}

Parisian adolescence[edit]

It is unknown at what age Savinien arrived in Paris.^{[note 14]} He may have been accommodated by his uncle Samuel de Cyrano in a large family residence in the Rue des Prouvaires, where his parents had lived up until 1618. In this theory, it was there that he was introduced to his cousin Pierre,^{[note 15]} with whom, according to Le Bret, he would build a lasting friendship.^{[note 16]}

He continued his secondary studies at an academy which remains unknown. It has long been maintained that he attended the Collège de Beauvais where the action of the comedy Le pédant joué takes place^{[note 17]} and whose principal, Jean Grangier would inspire the character of Granger, the pedant of Le pédant joué, but his presence in June 1641 as a student of rhetoric at the Collège de Lisieux^{[note 18]} (see below), has encouraged more recent historians to revise that opinion.^{[note 19]}

In 1636, his father sold Mauvières and Bergerac to Antoine Balestrier, Lord of Arbalestre, and returned to Paris to live with his family in 'a modest dwelling at the top of the great Rue du Faubourg Saint-Jacques close to the Crossing'^[37] (parish of Saint-Jacques and Saint-Philippe), a short distance from the Collège de Lisieux. But there is no certainty that Savinien went to live with them.

A slippery slope[edit]

Le Bret continues his story:

That age when nature is most easily corrupted, and that great liberty he had to only do that which seemed good to him, brought him to a dangerous weakness (penchant), which I dare say I stopped…

Historians and biographers do not agree on this penchant which threatened to corrupt Cyrano's nature. As an example of the romantic imagination of some biographers, Frédéric Lachèvre wrote:

Against an embittered and discontented father, Cyrano promptly forgot the way to his father's house. Soon he was counted among the gluttons and hearty drinkers of the best inns, with them he gave himself up to jokes of questionable taste, usually following prolonged libations…He also picked up the deplorable habit of gambling. This kind of life could not continue indefinitely, especially since Abel de Cyrano had become completely deaf to his son's repeated requests for funds.^[38]

Forty years later, two editors added to the realism and local colour:

Since nothing binds Cyrano to the humble lodgings of the Rue du Faubourg Saint-Jacques to which the uncertainties of fate condemned his family, he gives himself over entirely to Paris, to its streets and, according to the words of one of his close friends, 'to its excrescences' (à ses verrues).^{[note 20]} He drinks, diligently frequents the Rue Glatigny, called Val d'amour, because of the women who sell pleasure there,^{[note 21]} gambles, roams the sleeping city to frighten the bourgeois or forge signs, provokes the watch, gets into debt and links himself with that literary Bohemia which centered around Tristan L'Hermite and Saint-Amant and cultivated the memory of Théophile and his impious lyricism.^[40]

In his voluminous biography of Charles Coypeau d'Assoucy, Jean-Luc Hennig suggests^[41] that the poet-musician had begun around 1636 (at thirty-one) a homosexual relationship with Cyrano, then seventeen. In support of this hypothesis, he notes that both had families from Sens, a lawyer father and religious brothers and sisters, that the elder only liked youths and in regard to the women of Montpellier who accused him in 1656 of neglecting them, he wrote that 'all of that has no more foundation than their fanciful imagination, already concerned, which had taught them the long-time habits [that he] had had with C[hapelle], late D[e] B[ergerac] and late C.'^{[note 22]}

Cyrano's homosexuality was first explicitly hypothesized by Jacques Prévot in 1978.^{[note 23]}

Life and works[edit]

He was the son of Abel de Cyrano, lord of Mauvières and Bergerac, and Espérance Bellanger. He received his first education from a country priest, and had for a fellow pupil his friend and future biographer Henri Lebret. He then proceeded to Paris, and the heart of the Latin Quarter, to the college de Dormans-Beauvais,^[1] where he had as master Jean Grangier, whom he afterwards ridiculed in his comedy Le Pédant joué (The Pedant Tricked) of 1654. At the age of nineteen, he entered a corps of the guards, serving in the campaigns of 1639 and 1640.^[44] As a minor nobleman and officer he was notorious for his dueling and boasting. His unique past allowed him to make unique contributions to French art.^[45]

One author, Ishbel Addyman, varies from other biographers and claims that he was not a Gascon aristocrat, but a descendant of a Sardinian fishmonger and that the Bergerac appellation stemmed from a small estate near Paris where he was born, and not in Gascony, and that he may have suffered tertiary syphilis. She also claims that he may likely have been homosexual and around 1640 became the lover of Charles Coypeau d'Assoucy,^[46] a writer and musician, until around 1653, when they became engaged in a bitter rivalry. This led to Bergerac sending d'Assoucy death threats that compelled him to leave Paris. The quarrel extended to a series of satirical texts by both men.^[46] Bergerac wrote Contre Soucidas (an anagram of his enemy's name) and Contre un ingrat (Against an ingrate), while D'Assoucy counterattacked with Le Combat de Cyrano de Bergerac avec le singe de Brioché, au bout du Pont-Neuf (The battle of Cyrano de Bergerac with the monkey of Brioché, at the end of the Pont-Neuf). He also associated with Théophile de Viau, the French poet and libertine.

He is said to have left the military and returned to Paris to pursue literature, producing tragedies cast in the orthodox classical mode.^[44]

The model for the Roxane character of the Rostand play was Bergerac's cousin, who lived with his sister, Catherine de Bergerac, at the Convent of the Daughter of the Cross. As in the play, Bergerac did fight at the Siege of Arras (1640) a battle of the Thirty Years' War between French and Spanish forces in France (though this was not the more famous final Battle of Arras, fought fourteen years later). One of his confrères in the battle was the Baron Christian of Neuvillette, who married Cyrano's cousin. However, the plotline of Rostand's play, Cyrano de Bergerac, involving Roxane and Christian is entirely fictional.

Cyrano was a pupil of French polymathPierre Gassendi, a canon of the Catholic Church who tried to reconcile Epicureanatomism with Christianity.

Cyrano de Bergerac's works L'Autre Monde: ou les États et Empires de la Lune ('Comical History of the States and Empires of the Moon', published posthumously, 1657) and Les États et Empires du Soleil (The States and Empires of the Sun, 1662) are classics of early modern science fiction. In the former, Cyrano travels to the Moon using rockets powered by firecrackers (it may be the earliest description of a space flight by use of a vessel that has rockets attached) and meets the inhabitants. The Moon-men have four legs, firearms that shoot game and cook it, and talking earrings used to educate children.

His mixture of science and romance in the last two works furnished a model for many subsequent writers, among them Jonathan Swift, Edgar Allan Poe and probably Voltaire. Corneille and Molière freely borrowed ideas from Le Pédant joué.^[44]

Death[edit]

The play suggests that he was injured by a falling wooden beam in 1654 while entering the house of his patron, the Duc D'Arpajon. However the academic and editor of Cyrano's works, Madeleine Alcover, uncovered a contemporary text which suggests an attack on the Duke's carriage in which a member of his household was injured. It is as yet inconclusive as to whether or not his death was a result of the injury, or an unspecified disease.^[47] He died over a year later on July 28, 1655, aged 36, at the house of his cousin, Pierre De Cyrano, in Sannois. He was buried in a church in Sannois. However, there is strong evidence to support the theory that his death was a result of a botched assassination attempt as well as further damage to his health caused by a period of confinement in a private asylum, orchestrated by his enemies, who succeeded in enlisting the help of his own brother Abel de Cyrano.

In fiction[edit]

Rostand[edit]

In 1897, the French poetEdmond Rostand published a play, Cyrano de Bergerac, on the subject of Cyrano's life. This play, which became Rostand's most successful work, revolves around Cyrano's love for the beautiful Roxane, whom he is obliged to woo on behalf of a more conventionally handsome but less articulate friend, Christian de Neuvillette.

The play has been made into operas and adapted for cinema several times and reworked in other literary forms and as a ballet.

Other authors[edit]

The Adventures of Cyrano De Bergerac, by Louis Gallet, was published in English by Jarrolds Publishers (London) in 1900. It bears no resemblance to Rostand's play apart from the characteristics of the de Bergerac character.^{[citation needed]}

Cyrano De Bergerac Pdf Brian Hooker Bantam

Cyrano appears as one of the main characters of the Riverworld series of books by Philip José Farmer.^{[citation needed]}

In A. L. Kennedy's novel So I Am Glad, the narrator finds de Bergerac has appeared in her modern-day house share.^{[citation needed]}

In Robert A. Heinlein's novel Glory Road, Oscar Gordon fights a character who is not named, but is obviously Cyrano.^[48]

John Shirley published a story about Cyrano called 'Cyrano and the Two Plumes' in a French anthology; it was reprinted at The Freezine of Fantasy and Science Fiction. ^[49]

The novel by Adam Browne, Pyrotechnicon: Being a TRUE ACCOUNT of Cyrano de Bergerac's FURTHER ADVENTURES among the STATES and EMPIRES of the STARS, by HIMSELF (Dec'd), was a sequel to Cyrano's science fiction, published by Keith Stevenson, 2014.^{[citation needed]}

The Lost Sonnets of Cyrano de Bergerac: A Poetic Fiction by James L. Carcioppolo. Published in English by Lost Sonnet Publishing (Benicia, California) in 1998. Fiction poetry with the premise that Cyrano wrote a sequence of 57 sonnets during the last year of his life. Heavily annotated.

Cyrano de Bergerac is the leading male character in Charles Lecocq's 1896 opéra comiqueNinette.^[50]

Bibliography[edit]

Original editions[edit]

• Cyrano de Bergerac (1654). La Mort d'Agrippine, tragédie, par Mr de Cyrano Bergerac [The Death of Agrippina, tragedy, by Mr de Cyrano Bergerac] (in French). Paris: Charles de Sercy. Retrieved 4 April 2015.
• Cyrano de Bergerac (1654). Les Œuvres diverses de Mr de Cyrano Bergerac [The various works of Mr de Cyrano Bergerac] (in French). Paris: Charles de Sercy. Retrieved 4 April 2015.
• Cyrano de Bergerac (1657). Histoire comique par Monsieur de Cyrano Bergerac contenant les Estats & Empires de la Lune [Comical History by Mr de Cyrano Bergerac including The States & Empires of the Moon] (in French). Paris: Charles de Sercy. Retrieved 4 April 2015.
• Cyrano de Bergerac (1662). Les Nouvelles œuvres de Monsieur de Cyrano Bergerac. Contenant l'Histoire comique des Estats et Empires du Soleil, plusieurs lettres et autres pièces divertissantes [The New Works of Mr de Cyrano Bergerac. Including The Comical History of the States and Empires of the Sun, several letters and other diverting pieces] (in French). Paris: Charles de Sercy. Retrieved 4 April 2015.
• Cyrano de Bergerac (1649). Le Ministre d'Estat flambé en vers burlesques [The Minister of State roasted in farcical verse] (in French). Paris: [s.n.] Retrieved 4 April 2015.
• Cyrano de Bergerac (1709). Les œuvres diverses de M. Cyrano de Bergerac [The varied works of Mr. Cyrano de Bergerac] (in French). 1. Amsterdam: J. Desbordes. Retrieved 4 April 2015.
• Cyrano de Bergerac (1709). Les œuvres diverses de M. Cyrano de Bergerac [The varied works of Mr. Cyrano de Bergerac] (in French). 2. Amsterdam: J. Desbordes. Retrieved 4 April 2015.

Translations[edit]

• Cyrano de Bergerac (1658). Satyrical Characters, and handsome Descriptions in letters, written to severall Persons of Quality, by Monsieur De Cyrano Bergerac. Translated from the French by a Person of Honour. London: Henry Herringman.
• Cyrano de Bergerac (1659). ΣΕΛΗΝΑΡΧΙΑ, or, The government of the world in the moon : a comical history / written by that famous wit and caveleer of France, Monsieur Cyrano Bergerac ; and done into English by Tho. St Serf, Gent. Translated by Sir Thomas St. Serf (Sir Thomas Sydserff). London: printed by J. Cottrel, and are to be sold by Hum. Robinson.
• Cyrano de Bergerac (1687). The Comical History of the States and Empires of the Worlds of the Sun and Moon. Written in French by Cyrano Bergerac. And newly Englished by A. Lowell, A.M. Translated by Archibald Lovell. London: Henry Rhodes.

• Cyrano de Bergerac (1889). A Voyage to the Moon. Translated by Archibald Lovell, Edited by Curtis Hidden Page. New York: Doubleday and McClure Co. Retrieved 5 April 2015.

• Cyrano de Bergerac (1753). A voyage to the moon : with some account of the solar world. A comical romance. Done from the French of M. Cyrano de Bergerac. By Mr. Derrick. Translated by Samuel Derrick. London: Printed for P. Vaillant, R. Griffiths, and G. Woodfall.
• Cyrano de Bergerac; Friendly, Jonathon (1756). The agreement. A satyrical and facetious dream. To which is annexed, the truth, the whole truth, and nothing but the truth, &c. London: [s.n.] (The dream is a translation of D'un songe, first published in Lettres diverses.)
• Cyrano de Bergerac (1923). Voyages to the moon and the sun. Translated by Richard Aldington. London/New York: Routledge & Sons Ltd/E.P. Dutton & Co.

Critical editions[edit]

• Cyrano de Bergerac (1858). Histoire comique des États et empires de la Lune et du Soleil [Comical History of the States and Empires of the Moon and the Sun] (in French). Edited by Paul Lacroix Jacob with notes. Paris: Adolphe Delahays. Retrieved 5 April 2015.
• Cyrano de Bergerac (1858). Œuvres comiques, galantes et littéraires [Comical, gallant and literary works] (in French). Edited by Paul Lacroix Jacob with notes. Paris: Adolphe Delahays. Retrieved 5 April 2015.
• Lachèvre, Frédéric (1921). Les Œuvres libertines de Cyrano de Bergerac, Parisien (1619–1655), précédées d'une notice biographique. Tome premier [The Libertine Works of Cyrano de Bergerac, Parisian (1619–1655), preceded by a biographical notice. Volume one] (in French). Paris: Librairie ancienne Honoré Champion. Retrieved 5 April 2015.

L'Autre monde: I. Les Estats et Empires de la Lune (texte intégral, publié pour la première fois, d'après les manuscrits de Paris et de Munich, avec les variantes de l'imprimé de 1657). — II. Les Estats et Empires du Soleil (d'après l'édition originale de 1662)

The Other World: I. The States and Empires of the Moon (full text published for the first time following the Paris and Munich manuscripts including variations from the 1657 edition). — II. The States and Empires of the Sun (following the original edition of 1662)

• Lachèvre, Frédéric (1921). Les Œuvres libertines de Cyrano de Bergerac, Parisien (1619–1655), précédées d'une notice biographique. Tome second [The Libertine Works of Cyrano de Bergerac, Parisian (1619–1655), preceded by a biographical notice. Volume two] (in French). Paris: Librairie ancienne Honoré Champion. Retrieved 5 April 2015.

Le Pédant joué, comédie, texte du Ms. de la Bibl. nat., avec les variantes de l'imprimé de 1654. — La Mort d'Agrippine, tragédie. — Les Lettres, texte du Ms. de la Bibl. nat. avec les var. de 1654. — Les Mazarinades: Le Ministre d'Etat flambé; Le Gazettier des-interessé, etc. — Les Entretiens pointus. — Appendice: Le Sermon du curé de Colignac, etc...

The Pedant tricked, comedy, text from Mss. in the National Library with variations from the edition of 1654. — The Death of Agrippina, tragedy. — The Letters, text from Mss. in the National Library with variations from 1654 edition. — The Mazarinades: The Minister of State roasted; The disinterested Gazetteer, etc. — The sharp interviews. — Appendix: The sermon of the curate of Colignac, etc...

• Cyrano de Bergerac (1962). Histoire comique des État et empire de la Lune et du Soleil [Comical History of the States and Empires of the Moon and the Sun] (in French). Edited by Claude Mettra and Jean Suyeux. Paris: Jean-Jacques Pauvert et Club des Libraires de France.

Includes an afterword, a dictionary of characters, chronological tables and notes. Illustrated with engravings taken from scientific works of the time.

• Cyrano de Bergerac (1977). L'Autre Monde ou les Estats et Empires de la lune [The Other World or the States and Empires of the Moon]. Société des textes français modernes (in French). Edited by Madeleine Alcover. Paris: Honoré Champion.
• Cyrano de Bergerac (1982). La Mort d'Agrippine [The Death of Agrippina]. Textes Littéraires (in French). 44. Exeter: University of Exeter. ISBN0-85989-182-8.
• Cyrano de Bergerac (1998). L'Autre monde : Les États et empires de la Lune. Les États et empires du Soleil [The Other World: The States and Empires of the Moon. The States and Empires of the Sun.]. Bibliothèque de la Pléiade: Libertins du XVIIe siècle (in French). I. Edited by Jacques Prévot. Paris: Gallimard.

Includes an introduction, chronology and bibliography

• Cyrano de Bergerac (1999). Lettres satiriques et amoureuses, précédées de Lettres diverses (in French). Edited and annotated by Jean-Charles Darmon et Alain Mothu. Paris: Desjonquères.
• Cyrano de Bergerac (2001). Œuvres complètes : L'Autre Monde ou les États et Empires de la lune. Les États et empires du soleil. Fragment de physique [Complete Works: The Other World or the States and Empires of the Moon. The States and Empires of the Sun. Fragment of Physics] (in French). I. Edited and annotated by Madeleine Alcover. Paris: Honoré Champion. ISBN9782745314529.

• Cyrano de Bergerac (2004). Les États et Empires de la Lune et du Soleil (avec le Fragment de physique) [The States and Empires of the Moon and the Sun (with the Fragment of Physics)]. Champion Classiques: Littératures (in French). Edited and annotated by Madeleine Alcover. Paris: Honoré Champion.

• Cyrano de Bergerac (2001). Œuvres complètes : Lettres. Entretiens pointus. Mazarinades. Les États et empires de la lune. Les États et empires du soleil. Fragment de physique (in French). II. Edited and annotated by Luciano Erba (Lettres, Entretiens pointus) and Hubert Carrier (Mazarinades). Paris: Honoré Champion. ISBN9782745304292.
• Cyrano de Bergerac (2001). Œuvres complètes : Théâtre [Complete Works: Theatre] (in French). III. Edited and annotated by André Blanc. Paris: Honoré Champion. ISBN9782745304193.
• Cyrano de Bergerac (2003). Les États et Empires du Soleil [The States and Empires of the Sun]. GF (in French). Edited by Bérengère Parmentier. Paris: Flammarion.

Introduction, chronology, notes, documentation, bibliography and lexicon by Bérengère Parmentier.

See also[edit]

• Asteroid 3582 Cyrano, named after de Bergerac

Notes[edit]

1. ^ ^abThough often cited as his date of birth, the 6th of March is actually the date of his baptism. At the time, it was usual for a baptism to take place within 3 days of birth and in Paris, with easy access to a priest, it would have been possible that it happened on the same day. However, the actual date remains unknown.
2. ^Consider what Madeleine Alcover has written in the « Biographie » de Cyrano de Bergerac: 'It was necessary to renounce a kind of writing where the author presents to the readers as 'facts' purely subjective assertions; that kind of writing, known in Narratology as characteristic of the infallible and omniscient narrator, is totally misplaced in a biography. The readers must always be able to distinguish the content of a document from the interpretation that is made of it; the lack of documentation from a hypothesis (more or less well founded…)'
3. ^« En 1587, il était étudiant à Bourges. Ayant fréquenté une jeune fille, Jehanne Palleau, son père le tirera d'une fâcheuse affaire en faisant signer devant notaire une attestation par laquelle celle-ci ne demande pas à Abel de la reconnaître… »^[15]
4. ^Saint Savinian is the name of the first archbishop of Sens.
5. ^^[17]
6. ^She was baptised on 11June 1586 at the church of St-Gervais-et-St-Protais.
7. ^The testamentary executors accounts show that, several days before his death in January 1648, Abel de Cyrano said he was 'older than eighty years'. Therefore he was born before 1568.
8. ^Discovered by Jean Lemoine.^[8]
9. ^L'inventaire des biens d'Abel I de Cyrano dressé après son décès, en 1648, révélera une nette évolution sur le plan de la religiosité, puisqu'on trouvera, dans son logement, « un tableau peint sur bois, garni de sa bordure, où est représentée la Nativité de Notre-Seigneur, un autre tableau carré peint sur toile, où est représentée la Charité […] un tableau peint sur bois où est représenté un Baptême de Notre-Seigneur, et un autre tableau, aussi peint sur bois, où est représenté (sic) Notre-Seigneur et Saint Jean en leur enfance, et la Vierge les tenant […] deux tableaux représentant le sacrifice d'Abraham, un autre rond sur bois, où est représenté le Jugement de Sainte Suzanne […], deux petits tableaux de broderie représentant deux Saint-Esprit en cœur, et un tableau sur bois où est représenté Saint François […], trois petites écuelles de faïence avec deux autres petits tableaux où sont représentés Notre-Seigneur et la Vierge ».^[21]
10. ^In two documents from January and February 1649 concerning the succession of Abel I de Cyrano, Abel II is said to be 'of the age of emancipation, progressing under the authority of the said Savinien de Cyrano, his brother and guardian' (« émancipé d'âge, procédant sous l'autorité de Savinien dudit Cyrano, son frère et curateur »).
11. ^In a much disputed study (L'ancestralité bergeracoise de Savinien II de Cyrano de Bergerac : prouvée par la Tour Cyrano, les jurades, les chroniques bergeracoises et par Cyrano lui-même, Lembras, 1968) an erudite citizen of Bergerac, Martial Humbert Augeard, wrote that the origin of the de Bergerac family was a certain Ramond de la Rivière de la Martigne who, having been bestowed with the estate of Mauvières in recompense for his action against the English in the retaking of Bergerac by Duke Louis I d'Anjou, brother of Charles V, in 1377, gave the name Bergerac to the meadows adjacent to Mauvières to the west, up until that time known as the Pré joli ('Pretty Meadow') or Pré Sous-Foretz ('Woodland Meadow'). In the 18th century, the estate of Bergerac returned to its old name of Sous-Forets.^[29]
12. ^Name of a pedant character in Première journée, fragment of a comic story by Théophile de Viau.^[31]
13. ^L'éducation que nous avions eue ensemble chez un bon prêtre de la campagne qui tenait de petits pensionnaires nous avait faits amis dès notre plus tendre jeunesse, et je me souviens de l'aversion qu'il avait dès ce temps-là pour ce qui lui paraissait l'ombre d'un Sidias [Note : Nom d'un personnage de pédant dans Première journée, fragment d'histoire comique de Théophile de Viau.], parce que, dans la pensée que cet homme en tenait un peu [Note : Comprendre : qu'il était tant soit peu pédant.], il le croyait incapable de lui enseigner quelque chose ; de sorte qu'il faisait si peu d'état de ses leçons et de ses corrections, que son père, qui était un bon vieux gentilhomme assez indifférent pour l'éducation de ses enfants et trop crédule aux plaintes de celui-ci, l'en retira un peu trop brusquement, et, sans s'informer si son fils serait mieux autre part, il l'envoya en cette ville [Paris], où il le laissa jusqu'à dix-neuf ans sur sa bonne foi [Note : « On dit Laisser un homme sur sa foi, pour dire l'abandonner à sa conduite.^[32] »].
14. ^In his introduction to Cyrano de Bergerac, Cyrano de Sannois, Turnhout, Hervé Bargy asserts, without offering any proof, that he was twelve years old.^[34]
15. ^Pierre II de Cyrano, Lord of Cassan.
16. ^'…Monsieur de Cyrano, his cousin, from whom he had received great signs of friendship, from whose knowledgeable conversation on present and past history, he took such immense pleasure…'^[33] »
17. ^This was seen for the first time in the second edition of Menagiana: 'The poor works of Cyrano de Bergerac! He had studied at the collège de Beauvais in the time of Principal Granger. It is said that he was still studying rhetoric when he wrote his Pédant joué about the principal. There are a few passable parts in that piece, but all the rest falls flat.' (« Les pauvres ouvrages que ceux de Cyrano de Bergerac ! Il avait étudié au collège de Beauvais du temps du principal Granger. On dit qu'il était encore en rhétorique quand il fit son Pédant joué sur ce principal. Il y a quelque peu d'endroits passables en cette pièce, mais tout le reste est bien plat. »)^[35]
18. ^Charles Sorel, who perhaps also studied there, made vitriolic portrait of it in his Francion.
19. ^'I think that Cyrano could have been a student at Lisieux even before his entry into the Army, and that the comedy that his composed against the collège de Beauvais could be explained by the fact that Sorel had already made fun of the collège de Lisieux.'^[36] (« Je pense que Cyrano aurait pu être étudiant à Lisieux avant même son départ à l'armée, et que la comédie qu'il a composée contre le collège de Beauvais pourrait s'expliquer par le fait que Sorel avait déjà ridiculisé le collège de Lisieux.»)
20. ^It seems that the author here means Charles Sorel, whose biographer, Émile Roy, wrote in 1891 that he knew Paris particularly well and 'described it all, even the 'excrescences'. But the expression is an invention of the 19th century and appears nowhere in the works of Sorel.
21. ^The Rue de Glatigny was found on the site of the current forecourt of Notre-Dame. In the Middle Ages, it had been one of the streets that an ordinance of Saint Louis designated as the only ones where 'women of dissolute life' had the right to 'keep their brothels'. But it seems, reading Henri Sauval, that in Cyrano's time it had not had, for the past two centuries, that designation or reputation.^[39]
22. ^« tout cela est sans autre fondement que leur chimérique imagination, déjà préoccupée, qui leur avait appris les longues habitudes [qu'il] avait eues avec C[hapelle], feu D[e] B[ergerac] et feu C. »
23. ^'Cyrano homosexual? Why not? Didn't they have plenty of others among the libertines?' (« Cyrano homosexuel ? Pourquoi pas ? N'y en eut-il pas bien d'autres parmi les libertins ? »)^[42] Around the same time, Madeleine Alcover wrote: 'To that valorisation of the penis owing to an essentially masculine ideology, is added another which I believe comes from a homosexuality if not realised, at least latent.' (« À cette valorisation du pénis due à une idéologie essentiellement masculine, s'en ajoute une autre que je crois venir d'une homosexualité sinon réalisée, du moins latente. »)^[43]

References[edit]

1. ^ ^abChronologie, Voyage dans la lune, Garnier-Flammarion 1970, p. 7
2. ^Cyrano de Bergerac 1657
3. ^Brun 1893
4. ^Brun 1909
5. ^Roman 1894, pp. 451–455
6. ^Coubertin 1898, pp. 427–437
7. ^Poli 1898, pp. 51–132
8. ^ ^abLemoine 1911, pp. 273–296
9. ^Lemoine 1913, p. 1
10. ^Lachèvre 1921, volume I
11. ^Samaran 1910, p. 3
12. ^Prévot 1977
13. ^Prévot 1978
14. ^Delaplace 1994
15. ^Delaplace 1994, p. 1367
16. ^Alcover 2012
17. ^Crespin 1570
18. ^Rey 2010
19. ^Alcover 2001, volume I, p. 461-463
20. ^Lemoine 1911, pp. 275–277
    Reprinted in Lachèvre 1921, volume I, p. xxiii-xxv
21. ^Lachèvre 1921, volume I, p. LIX
22. ^Alcover 2010
23. ^Lambeau 1908, p. 65 et suivantes
24. ^Jal 1872, p. 463
25. ^Poli 1898, p. 79
26. ^Coustant d'Yanville 1866–1875, p. 882
27. ^Paul 1920, p. 30
28. ^Griselle 1912, p. 34
29. ^Coubertin 1898, p. 430
30. ^Lachèvre 1921, volume II, p. XVIII
31. ^Viau 1855, p. 14
32. ^Furetière 1690, p. 903
33. ^ ^abLe Bret 1657
34. ^Bargy 2008, p. 12
35. ^Ménage 1694, p. 101
36. ^Alcover 2004, Biographical introduction, p. xxxiii
37. ^Lachèvre 1921, volume I, p. xxx
38. ^Lachèvre 1921, volume I, p. XXXI
39. ^Sauval 1724, p. 652
40. ^Cyrano de Bergerac 1962, p. xv
41. ^Hennig 2011, pp. 252–253
42. ^Prévot 1978, p. 49
43. ^Alcover 1977, p. 23
44. ^ ^abcChisholm, Hugh, ed. (1911). 'Cyrano de Bergerac, Savinien' . Encyclopædia Britannica (11th ed.). Cambridge University Press.
45. ^Jones, Colin. The Cambridge Illustrated History of France (1st ed.). Cambridge University Press. p. 157. ISBN0-521-43294-4.
46. ^ ^abAddyman, Ishbel, Cyrano: The Life and Legend of Cyrano de Bergerac, (Simon & Schuster, 2008), ISBN0-7432-8619-7
47. ^'Afterword to Cyrano de Bergerac's 'The Other World' – by Don Webb'. Bewilderingstories.com. Retrieved 2019-02-11.
48. ^M. E. Cowan. 'Never-Born'. A Heinlein Concordance. Heinlein Society.
49. ^[1]^{[dead link]}
50. ^'The Drama in Paris', The Era, 7 March 1896, p. 13

Biographies[edit]

• Lefèvre, Louis-Raymond (1927). La Vie de Cyrano de Bergerac [The Life of Cyrano de Bergerac]. Vies des hommes illustres (in French). Paris: Gallimard.
• Magy, Henriette (1927). Le Véritable Cyrano de Bergerac [The True Cyrano de Bergerac] (in French). Paris: Le Rouge et le Noir.
• Pellier, Henri (1929). Cyrano de Bergerac. Les livres roses pour la jeunesse (in French). Paris: Larousse.
• Rogers, Cameron (1929). Cyrano: Swordsman, Libertin, and Man-of-Letters. New York: Doubleday, Doran & Company.
• Pujos, Charles (1951). Le Double Visage de Cyrano de Bergerac [The Two Faces of Cyrano de Bergerac] (in French). Agen: Imprimerie moderne.
• Mongrédien, Georges (1964). Cyrano de Bergerac (in French). Paris: Berger-Levrault.
• de Spens, Willy (1989). Cyrano de Bergerac: l'esprit de révolte [Cyrano de Bergerac: The Spirit of Rebellion]. Les Infréquentables (in French). Monaco: Rocher. ISBN2268008452.
• Cardoze, Michel (1994). Cyrano de Bergerac : libertin libertaire [Cyrano de Bergerac: Libertarian Libertine] (in French). Paris: Lattès. ISBN2709614103.
• Germain, Anne (1996). Monsieur de Cyrano-Bergerac (in French). Paris – Lausanne-Paris: Maisonneuve et Larose – Acatos.
• Mourousy, Paul (2000). Cyrano de Bergerac : illustre mais inconnu [Cyrano de Bergerac: famous but unknown] (in French). Monaco: Rocher. ISBN2268037894.
• Addyman, Ishbel (April 2008). Cyrano: The Life and Legend of Cyrano de Bergerac. London-New York-Sydney-Toronto: Simon & Schuster. ISBN978-0-7432-8619-0.
• Prévot, Jacques (2011). Cyrano de Bergerac. L'Écrivain de la crise (in French). Paris: Ellipses. ISBN9782729864590.

Studies of Cyrano or his work[edit]

Madeleine Alcover[edit]

• Alcover, Madeleine (1970). La Pensée philosophique et scientifique de Cyrano de Bergerac [The Philosophical and Scientific Thought of Cyrano de Bergerac] (in French). Genève: Droz.
• Alcover, Madeleine (Winter 1977). 'Cyrano de Bergerac et le feu : les complexes prométhéens de la science et du phallus' [Cyrano de Bergerac and fire: Promethean complexes of science and of the phallus] (PDF). Rice University Studies (in French) (63): 13–24.
• Alcover, Madeleine (1990). Cyrano relu et corrigé : Lettres, Estats du soleil, Fragment de physique [Cyrano proofread and corrected: Lettres, Estats du soleil, Fragment de physique] (in French). Genève: Droz.
• Alcover, Madeleine (1994). 'Cyrano in carcere '. Papers on French Seventeenth Century Literature (in French). XXI (41): 393–418.
• Alcover, Madeleine (1995). 'Sisyphe au Parnasse : la réception des œuvres de Cyrano aux XVIIe et XVIIIe siècles' [Sisyphus on Parnassus: The reception of the work of Cyrano in the 17th and 18th centuries]. Œuvres & Critiques (in French). Tübingen, Gunter Narr Verlag: Revue internationale d'étude de la réception critique des œuvres littéraires de langue française. XX (3): 219–250.

• Alcover, Madeleine (1996). 'Essai de titrologie : les récits de Cyrano de Bergerac'. Libertinage et philosophie au XVIIe siècle (in French) (1): 75–94.
• Alcover, Madeleine (1997). 'Le troisième manuscrit de L'Autre Monde de Cyrano de Bergerac' [The third manuscript of Cyrano de Bergerac's The Other World]. XVIIe siècle (in French). 196 (3): 597–608.
• Alcover, Madeleine (1999). 'Un gay trio : Cyrano, Chapelle, Dassoucy' [A gay trio: Cyrano, Chapelle, Dassoucy]. L'autre au XVIIe siècle. Actes du 4e colloque du Centre international de rencontres sur le XVIIe siècle. University of Miami, 23 au 25 avril 1998. Biblio 17 (in French). Tübingen, Gunter Narr Verlag: Ralph Heyndels et Barbara Woshinsky: 265–275.
• Alcover, Madeleine (2000). Cyrano et les dévots : Materia actuosa. Antiquité, Âge classique, Lumières. Mélanges en l'honneur d'Olivier Bloch recueillis par Miguel Benitez, Antony McKenna, Gianni Paganini et Jean Salem (in French). Paris: Honoré Champion. pp. 146–155.
• Alcover, Madeleine (2000). 'Les paroissiens de Sannois et la profanation de 1649. Contribution à la biographie de Cyrano de Bergerac' [The parishioners of Sannois and the desecration of 1649. Contribution to the biography of Cyrano de Bergerac]. La Lettre clandestine (in French) (9): 307–313.
• Alcover, Madeleine (2001). '' Ah ! dites-moi, mère-grand ' : l'ascension sociale des grands-parents paternels de Cyrano' ['Ah! tell me, grandmother': the social ascent of Cyrano's paternal grandparents]. La Lettre clandestine (in French) (10): 327–337.
• Alcover, Madeleine (2003). 'À la recherche des Cyrano de Sens' [On the trail of the Cyranos of Sens]. La Lettre clandestine (in French) (11): 215–225.
• Alcover, Madeleine (2003). 'Sésame, ouvre-toi ! Les trésors cachés du Minutier central'. La Lettre clandestine (in French) (12): 297–309.
• Alcover, Madeleine (2004). 'Statistique et critique d'attribution : l'édition posthume des États et Empires de la Lune' [Statistics and critical attribution: the posthumous edition of States and Empires of the Moon]. Littératures classiques (in French) (53): 295–315.
• Alcover, Madeleine (2004). 'Statistique et critique d'attribution : Requiem pour les mazarinades défuntes de Cyrano' [Statistics and critical attribution: Requiem for Cyrano's deceased mazarinades]. La Lettre clandestine (in French) (13): 233–259.
• Alcover, Madeleine (2004). 'Le grand-père de Cyrano était-il sénonais ?' [Was Cyrano's grandfather from Sens?]. La Lettre clandestine (in French) (13): 261–278.
• Alcover, Madeleine (February 2009). 'Éphémérides ou biographie sommaire de Savinien de Cyrano de Bergerac' [Ephemeris or biographical summary of Savinien de Cyrano de Bergerac]. Les Dossiers du Grihl (in French). Grihl. Retrieved 6 April 2015.
• Alcover, Madeleine (24 February 2009). 'Le Bret, Cuigy, Casteljaloux, Bignon, Royer de Prade et Regnault des Boisclairs : du nouveau sur quelques bons amis de Cyrano et sur l'édition posthume des états et empires de la lune (1657)'. Les Dossiers du Grihl. Les dossiers de Jean-Pierre Cavaillé, Libertinage, athéisme, irréligion. (in French). Grihl. Retrieved 6 April 2015.
• Alcover, Madeleine (2 March 2009). 'Sur les Lettres diverses d'Henry Le Bret, éditeur de Cyrano et prévôt de l'église de Montauban' [On the Lettres diverses of Henry Le Bret, editor of Cyrano and Provost of the Church of Montauban]. Les Dossiers du Grihl. Les dossiers de Jean-Pierre Cavaillé, Libertinage, athéisme, irréligion. (in French). Grihl. Retrieved 6 April 2015.
• Alcover, Madeleine (2009). 'À propos d'opium, de Le Bret et de Cyrano' [Concerning opium, Le Bret and Cyrano]. Libertinism and Literature in Seventeenth-Century France, Actes du colloque de Vancouver, The University of British Columbia, 28-30 septembre 2006. Les dossiers de Jean-Pierre Cavaillé, Libertinage, athéisme, irréligion. (in French). Tübingen: Richard G. Hogdson. Gunter Narr Verlag: 301–314.
• Alcover, Madeleine (18 February 2010). 'Savinien I de Cyrano et le protestantisme en appendice de ' Éphémérides ou biographie sommaire de Savinien de Cyrano de Bergerac '' [Savinien I de Cyrano and Protestantism as an appendix to 'Ephemeris or biographical summary of Savinien de Cyrano de Bergerac”']. Les Dossiers du Grihl (in French). Grihl. Retrieved 6 April 2015.
• Alcover, Madeleine (17 April 2012). Le Cyrano de Bergerac de Jacques Prévot [The Cyrano de Bergerac of Jacques Prévot]. Les dossiers de Jean-Pierre Cavaillé, Libertinage, athéisme, irréligion. Essais et bibliographie (in French). Les Dossiers du Grihl. Retrieved 6 April 2015.

Guilhem Armand[edit]

• Armand, Guilhem (2005). L'Autre Monde de Cyrano de Bergerac : un voyage dans l'espace du livre [The Other World of Cyrano de Bergerac: a journey into book space] (in French). Paris: Lettres modernes Minard. ISBN2256904776.
• Armand, Guilhem (2008). Meitinger, S.; Bosquet, M.F.; Terramorsi, B. (eds.). Une figure paradoxale : le guide dans les voyages libertins de la fin du XVII^e siècle. Le cas de L'Autre Monde de Cyrano de Bergerac [A paradoxical figure: the guide in libertine journeys at the end of the 17th century. The case of Cyrano de Bergerac's Other World]. Voyage, altérité, utopie. Aux confins de l'ailleurs et Nulle part. (in French). In homage to Professeur J.-M. Racault. Paris: Klincksieck. pp. 141–150.
• Armand, Guilhem (June 2005). 'Idée d'une République Philosophique : l'impossible utopie solaire de Cyrano' [The Idea of a Philosophical Republic: Cyrano's impossible solar utopia]. Expressions (in French) (25): 63–80. Archived from the original on 1 April 2009. Retrieved 6 April 2015.

Pierre-Antonin Brun[edit]

• Brun, Pierre-Antonin (1893). Savinien de Cyrano Bergerac, sa vie et ses œuvres d'après des documents inédits [Savinien de Cyrano Bergerac, his life and works according to previously unknown documents] (in French). Paris.
• Brun, Pierre-Antonin (1909). Savinien de Cyrano Bergerac, gentilhomme parisien : l'histoire et la légende de Lebret à M. Rostand [Savinien de Cyrano Bergerac, Parisian gentleman: History and legend from Lebret to M. Rostand] (in French). Paris: Daragon. Retrieved 6 April 2015.

Jean Lemoine[edit]

• Lemoine, Jean (15 May 1911). 'Le patrimoine de Cyrano de Bergerac' [The legacy of Cyrano de Bergerac]. La Revue de Paris (in French): 273–296. Retrieved 6 April 2015.
• Lemoine, Jean (12 April 1913). 'La Véritable sépulture de Cyrano de Bergerac'. Le Figaro. Supplément littéraire du dimanche (in French) (15). Retrieved 6 April 2015.

Jacques Prévot[edit]

• Prévot, Jacques (1977). Cyrano de Bergerac romancier [Cyrano de Bergerac novelist] (in French). Paris: Belin. ISBN2701102979.
• Prévot, Jacques (1978). Cyrano de Bergerac, poète & dramaturge [Cyrano de Bergerac, poet & playwright] (in French). Paris: Belin. ISBN2701103207.

Others[edit]

• Harry, Patricia; Mothu, Alain (2006). Sellier, Philippe (ed.). Dissidents, excentriques et marginaux de l'Âge classique : autour de Cyrano de Bergerac [Dissidents, eccentrics and the marginalised of the Classical Age: around Cyrano de Bergerac.] (in French). Bouquet offert à Madeleine Alcover [A bouquet for Madeleine Alcover]. Paris: Honoré Champion. ISBN2745314440.
• Bargy, Hervé, ed. (2008). Cyrano de Bergerac, Cyrano de Sannois : actes du colloque international de Sannois (3 et 17 décembre 2005) (in French). Brepols. ISBN9782503523842.
• Calvié, Laurent; Le Bret, H. (2004). Cyrano de Bergerac dans tous ses états [Cyrano de Bergerac in all his states] (in French). Toulouse: Anacharsis. ISBN2914777167.
• Carré, Rose-Marie (1977). Cyrano de Bergerac : voyages imaginaires à la recherche de la vérité humaine [Cyrano de Bergerac: imaginary journeys in search of human truth] (in French). Paris: Lettres modernes. ISBN2256903648.
• Frédy de Coubertin, Paul (1898). 'La famille de Cyrano de Bergerac' [The family of Cyrano de Bergerac]. La Nouvelle Revue (in French) (mai-juin 1898): 427–437. Retrieved 6 April 2015.
• Stankey, Margaret (2000). Le matérialisme dans L'Autre Monde de Cyrano de Bergerac : Materia actuosa. Antiquité, Âge classique, Lumières. Mélanges en l'honneur d'Olivier Bloch recueillis par Miguel Benitez, Antony McKenna, Gianni Paganini et Jean Salem [Materialism in L'Autre Monde of Cyrano de Bergerac] (in French). Paris: Honoré Champion. pp. 157–179.
• Darmon, Jean-Charles (2004). Le Songe libertin : Cyrano de Bergerac d'un monde à l'autre [The Libertine Dream: Cyrano de Bergerac from one world to another] (in French). Paris: Klincksieck. ISBN2252034831.
• Darmon, Jean-Charles (1998). Philosophie épicurienne et littérature au XVIIe siècle. Études sur Gassendi, Cyrano de Bergerac, La Fontaine, Saint-Évremond [Epicurian philosophy and literature of the 17th century. Studies on Gassendi, Cyrano de Bergerac, La Fontaine, Saint-Évremond]. Perspectives littéraires (in French). Paris: Presses Universitaires de France.
• Delaplace, Jacques (1994). 'Cyrano de Bergerac'. Stemma, revue du CÉGHIDF (in French) (62): 1367–1372.
• Delluc, Brigitte; Delluc, Gilles (2003). 'Cyrano Parisien ? Oui, mais…' [Cyrano a Parisian? Yes, but…]. Bulletin de la Société historique et archéologique du Périgord (in French) (130): 603–622.
• Goldin, Jeanne (1973). Cyrano de Bergerac et l'art de la pointe (in French). Montréal: Presses de l'Université de Montréal. ISBN978-0-8405-0215-5.
• Canseliet, Eugène (1947). Cyrano de Bergerac philosophe hermétique [Cyrano de Bergerac, hermetic philosopher]. Les Cahiers d'Hermès (in French). I. Paris: La Colombe. pp. 65–82.
• Magne, Émile (1898). Les Erreurs de documentation de ' Cyrano de Bergerac ' (in French). Paris: Éditions de la Revue de France. Retrieved 6 April 2015.
• Michel, Frédéric (1977). Une Œuvre : De la terre à la lune (in French). Paris: Hatier.
• Moureau, François (1997). 'Dyrcona exégète ou les réécritures de la Genèse selon Cyrano de Bergerac'. Cahiers d'histoire des littératures romanes/Romanistische Zeitschrift für Literaturgeschichte (in French) (3/4): 261–268.
• Nodier, Charles (1831). 'Cyrano de Bergerac'. Revue de Paris (in French). Paris (29): 38–107. Retrieved 6 April 2015.
• Onfray, Michel (2007). Contre-histoire de la philosophie : Les libertins baroques [Counter-history of Philosophy: the Baroque Libertines] (in French). 3. Grasset. pp. chapitre V, Cyrano de Bergerac et le 'librement vivre'.
• Parmentier, Bérengère, ed. (2004). Lectures de Cyrano de Bergerac, Les États et Empires de la Lune et du Soleil (in French). Rennes: Pressus Universitaires de Rennes.
• de Poli, Oscar (1898). 'Les Cirano de Mauvières et de Bergerac' [The Ciranos of Mauvières and Bergerac]. Revue des questions héraldiques, archéologiques et historiques (in French) (juillet-août-septembre 1898): 51–132.
• Roman, Joseph (1894). 'Cyrano de Bergerac et sa famille' [Cyrano de Bergerac and his family]. Revue d'histoire littéraire de la France (in French): 451–455. Retrieved 6 April 2015.
• Rosellini, Michèle; Costentin, Catherine (2004). Cyrano de Bergerac : Les États et les Empires de la Lune et du Soleil [Cyrano de Bergerac: The States and the Empires of the Moon and the Sun]. Clefs Concours (in French). Neuilly: Atlande.
• Samaran, Charles (18 December 1910). 'La Mort de Cyrano' [The Death of Cyrano]. Journal des débats politiques et littéraires (in French). Paris (350): 3. Retrieved 6 April 2015.
• Torero-Ibad, Alexandra (2009). Libertinage, science et philosophie dans le matérialisme de Cyrano de Bergerac [Libertinism, science and philosophy in the materialism of Cyrano de Bergerac] (in French). Preface by Francine Markovits. Paris: Honoré Champion.
• van Vledder, W. H. (1976). Cyrano de Bergerac, 1619–1655, philosophe ésotérique : étude de la structure et du symbolisme d'une œuvre mystique (L'autre monde) du XVII^e siècle [Cyrano de Bergerac, 1619–1655, esoteric philosopher: stuy of the structure and symbolism of a mystical work (L'autre monde) of the 17th century] (in French). Amsterdam: Holland Universiteits Pers. ISBN9030212063.

Further reading[edit]

• Advielle, Victor (1877). Le Siège d'Arras en 1640, d'après la 'Gazette' du temps [The Siege of Arras in 1640, according to the 'Gazette' of the time]. Bibliothèque Artésienne N°I (in French). Arras, Paris: H. Schoutheer, Chossonery.

• Brice, Germain (1725). Nouvelle description de la ville de Paris, et de tout ce qu'elle contient de plus remarquable (in French). 2. Paris: Julien-Michel Gandouin.

• de Bussy-Rabutin, Roger; Lalanne, Ludovic (1857). Mémoires de Roger de Rabutin, comte de Bussy, lieutenant-général des armées du roi, Mestre de camp général de la cavalerie légère [Memories of Roger de Rabutin, Count de Bussy, Lieutenant-General of the King's Army, Mestre de camp général of the Light Horse.] (in French). I. Paris: Charpentier.

• Crespin, Jean (1570). Histoire des vrays tesmoins de la verite de l'Evangile [History of the True Witnesses to the Truth of the Evangelist] (in French). Genève: Eustache Vignon. p.81 verso – p.82 recto.

• Cyprien de la Nativité de la Vierge, Roger (1651). La destruction du duel, par le jugement de Messeigneurs les mareschaux de France, sur la protestation de plusieurs gentilshommes de marque…et quelques réflexions sur ce sujet [The destruction of the duel, by the judgement of my Lords the Marshals of France, under the objection of several gentlemen of note…and some remarks on this subject] (in French). Paris: Jean Roger.

• Cyprien de la Nativité de la Vierge, Roger (1660). Recueil des vertus et des écrits de Madame le Baronne Neuvillette décédée depuis peu dans la ville de Paris [Collection of the virtues and writings of Madam the Baronness Neuvillette recently deceased in the city of Paris.] (in French). Paris: Denys Bechet & Louis Billaine.

• Daniel, R.P. Gabriel (1721). Histoire de la milice françoise [History of the French Militia] (in French). II. Paris: Jean-Baptiste Coignard.

Cyrano De Bergerac Pdf French

• D'Assoucy, Charles Coypeau (1671). Les rimes redoublées de M. Dassoucy (in French). Paris: C. Nego.

• D'Assoucy, Charles Coypeau (1677). Les Avantures de Monsieur d'Assoucy (in French). II. Paris: C. Audinet.

• D'Assoucy, Charles Coypeau (1678). Les Avantures de Monsieur d'Assoucy (in French). I. Paris: C. Audinet.

• de Lauze, François (1623). Apologie de la danse et la parfaicte méthode de l'enseigner tant aux cavaliers qu'aux dames (in French).

• Drévillon, Hervé (2002). 'L'héroïsme à l'épreuve de l'absolutisme. L'exemple du maréchal de Gassion (1609–1647)'. Politix (in French). 15 (58): 15–38.

• Comte de Druy (1658). La beauté de la valeur et la lascheté du duel. Divisé en quatre parties (in French). Paris: Jean Bessin & Nicollas Traboüillet.

• Dubuisson-Aubenay (1885). Journal des guerres civiles: 1648–1652 (in French). 2. Paris: Honoré Champion.

• d'Yanville, Comte H. Coustant (1875) [1866-1875]. Chambre des comptes de Paris: Essais historiques et chronologiques, privilèges et attributions nobiliaires et armorial (in French). Paris: J. B. Dumoulin. p. 882.

• Abbé Michel de Pure (1673). La Vie du Maréchal de Gassion (in French). III. Paris: Guillaume de Luyne.

• Du Prat, Pierre (1664). Le Portrait du Mareschal de Gassion (in French). Paris: Pierre Bienfait.

• Duval, Guillaume (1644). Le Collège royal de France (in French). Paris: Macé Bouillette.

• Évêque de Mâcon, ed. (1770). Collection des procès-verbaux des assemblées générales du clergé de France depuis l'année 1560 jusqu'à présent rédigés par ordre de matière et réduits à ce qu'ils ont d'essentiel (in French). 4. Paris: Guillaume Desprez.

• Fulcanelli (1930). Les Demeures philosophales et le Symbolisme hermétique dans ses rapports avec l'art sacré et l'ésotérisme du grand-œuvre (in French). Paris: Jean Schemit.

• Furetière, Antoine (1690). Dictionnaire universel, contenant généralement tous les mots françois tant vieux que modernes, et les termes de toutes les sciences et des arts… (in French). La Haye: A. et R. Leers.
• Goffart, N. (1892). 'Précis d'une histoire de la ville et du pays de Mouzon (Ardennes). IX. Histoire militaire au XVIIe siècle. a. Le siège de 1639 et la Guerre de Trente ans'. Revue de Champagne et de Brie. 2 (in French). Paris: H. Menu. IV (17e année).
• Goujet, Abbé Claude-Pierre (1758). Mémoire historique & littéraire sur le Collège royal de France, seconde partie (in French). A.-M. Lottin. pp. 138–142.
• Griselle, Eugène (1912). État de la maison du roi Louis XIII (in French). Paris: P. Catin. p. 34.
• Hennig, Jean-Luc (2011). Dassoucy et les garçons (in French). Paris: Fayard.
• d'Héricourt, Achmet-Marie de Servin (1844). Les Sièges d'Arras, histoire des expéditions militaires dont cette ville et son territoire ont été le théâtre (in French). Arras: Topino.
• Huguet, Adrien (1920). Un Grand maréchal des logis de la maison du roi, le Marquis de Cavoye, 1640–1716 (in French). Paris: Champion.
• Jal, Auguste (1872). Dictionnaire critique de biographie et d'histoire: errata et supplément pour tous les dictionnaires historiques, d'après des documents authentiques inédits (in French). Paris: H. Plon. p. 463.

Cyrano De Bergerac Pdf Gertrude Hall

• Jurgens, Madeleine (1967). Documents du Minutier central concernant l'histoire de la musique, 1600–1650 (in French). I. Paris: S.E.V.P.E.N.

• de La Chesnaye des Bois, François-Alexandre Aubert (1778). Dictionnaire de la noblesse: contenant les généalogies, l'histoire et la chronologie des familles nobles de France (in French). XII. Paris: Antoine Boudet.

• de Lacolle, Capitaine Noël (1901). Histoire des Gardes-Françaises (in French). Paris: H. Charles-Lavauzelle.

• Lambeau, Lucien (1898). Un vieux couvent parisien : les Dominicaines de la Croix de la rue de Charonne (1639–1904). Procès-verbal de la séance de la Commission municipale du Vieux Paris du 11 avril 1908 (in French). Paris: Imprimerie municipale. pp. 65 and following.

• Larcade, Véronique (2005). Les Cadets de Gascogne, une histoire turbulente (in French). Éditions Ouest-France.

• de La Touche, Philibert (1670). Les Vrays principes de l'espée seule… (in French). Paris: Armand Colin.

• Laverdet, Auguste-Nicolas, ed. (1858). Correspondance entre Boileau Despréaux et Brossette (in French). Paris: J. Techener.

• Lauzun, Philippe (1915). 'Le château de Carbon de Casteljaloux: sa correspondance d'après les notes de Mgr de Carsalade'. Bulletin de la Société archéologique du Gers (in French). Auch: L. Cocharaux (16): 156–166.

• Le Bret, Henry (1657). Préface de l'Histoire comique par Monsieur de Cyrano Bergerac, contenant les Estats et empires de la Lune (in French). Paris: Charles de Sercy.

Cyrano De Bergerac Script Pdf

• Loret, Jean (1857). La muze historique, ou Recueil des lettres en vers contenant les nouvelles du temps: écrites à Son Altesse Mademoizelle de Longueville, depuis duchesse de Nemours (1650–1665) (in French). I. Paris: P. Jannet.

• Magne, Émile (1920). Un Ami de Cyrano de Bergerac, le chevalier de Lignières: Plaisante histoire d'un poète libertin d'après des documents inédits (in French). Paris: R. Chiberre.

• Ménage, Gilles; Galland, Antoine; Goulley de Boisrobert, Alexandre, eds. (1694). Menagiana ou les bons mots, les pensées critiques, historiques, morales et d'érudition de Monsieur Ménage recueillies par ses amis: seconde édition augmentée (in French). Paris: Florentin & Pierre Delaulne.

• Ménage, Gilles; de La Monnoye, Bernard, eds. (1715). Menagiana, ou les bons mots et remarques critiques, historiques, morales & d'érudition de Monsieur Ménage, recueillies par ses amis: troisième édition plus ample de moitié, & plus correcte que les précédentes (in French). 3. Paris: Florentin Delaulne.

• Nolano, Bruno (1633). Boniface et le pédant: comédie en prose, imitée de l'italien de Bruno Nolano (in French). Paris: Pierre Ménard.

• de Paul, Vincent (1920). Coste, Pierre (ed.). Correspondance, entretiens et documents (in French). I. Paris: Librarie Lecoffre / J. Gabalda. p. 30.

• Pinard (1761). Chronologie historique-militaire (in French). 4. Paris: Claude Hérissant.

• Pinard (1763). Chronologie historique-militaire (in French). 6. Paris: Claude Hérissant.

• Rey, François (2013). 'Éphémérides 1658'(PDF). Molière.Paris-Sorbonne (in French).

• Rey, François (2007). Molière et le roi. L'Affaire Tartuffe (in French). Paris: Le Seuil.

• Rey, François (2010). Album Molière (in French). Paris: Gallimard. p. 29.

• Rohault, Jacques (1671). Traité de physique (in French). Paris: Denys Thierry.

• Carey Rosett, L. (1954). 'À la recherche de la Compagnie du Saint-Sacrement à Montauban'. Revue d'histoire de l'Église de France (in French). 40 (135): 206–228.

• de Prade, Jean Le Royer (1650). Le Trophée d'armes héraldiques: Ou la science du Blason, avec les figures en Taille douce (in French). Paris: Pierre Targa.

• Sauval, Henri (1724). Histoire et recherches des antiquités de la ville de Paris (in French). 3. Paris: Charles Moette & Jacques Chardon.

• Scarron, Paul (1648). La relation véritable de tout ce qui s'est passé en l'autre monde au combat des Parques & des poètes, sur la mort de Voitture. Et autres pièces burlesques, par Mr Scarron (in French). Paris: Toussainct Quinet.

• Scarron, Paul (1656). Recueil des épîtres en vers burlesques de Monsieur Scarron et d'autres autheurs sur ce qui s'est passé de remarquable en l'année 1655 (in French). Paris: Alexandre Lesselin.

• de Scudéry, Madeleine (1655). Clélie, histoire romaine: dédiée à Mademoiselle de Longueville (in French). 2. Paris: Augustin Courbé.

• de Scudéry, Madeleine (1661). Clélie, histoire romaine: dédiée à Mademoiselle de Longueville (in French). 5. Paris: Augustin Courbé.

• Tallemant des Réaux, Gédéon (1861). Louis Monmerqué (ed.). Les historiettes de Tallemant des Réaux: mémoires pour servir a l'histoire du XVIIe siècle : publiés sur le manuscrit autographe de l'auteur : précédée d'une notice sur l'auteur, augmentée de passages inédits et accompagnée de notes et d'eclaircissements (in French). 3 & 4. Paris: Garnier Frères.

• Tallemant des Réaux, Gédéon (1835). Monmerqué, Louis Jean Nicolas (ed.). Les historiettes de Tallemant des Réaux: mémoires pour servir a l'histoire du XVIIe siècle : publiés sur le manuscrit autographe de l'auteur : precedée d'une notice sur l'auteur, augmentée de passages inédits et accompagnée de notes et d'eclaircissements (in French). 6. Paris: Levavasseur.

• Tallemant des Réaux, Gédéon (1840). Monmerqué, Louis Jean Nicolas (ed.). Les historiettes de Tallemant des Réaux: mémoires pour servir a l'histoire du XVIIe siècle : publiés sur le manuscrit autographe de l'auteur : précédée d'une notice sur l'auteur, augmentée de passages inédits et accompagnée de notes et d'eclaircissements (in French). 5 & 6 (2nd ed.). Paris: H.L. Delloye.

• Tallemant des Réaux, Gédéon (1840). Monmerqué, Louis Jean Nicolas (ed.). Les historiettes de Tallemant des Réaux: mémoires pour servir a l'histoire du XVIIe siècle : publiés sur le manuscrit autographe de l'auteur : précédée d'une notice sur l'auteur, augmentée de passages inédits et accompagnée de notes et d'eclaircissements (in French). 9 (2nd ed.). Paris: H.L. Delloye.

• Ternois, René; Société d'histoire littéraire de la France (1933). Revue d'histoire littéraire de la France (in French). Paris: Armand Colin.

• de Viau, Théophile (1982) [1855-1856]. Alleaume, M. (ed.). Œuvres complètes de Théophile : annotée et précédée d'une notice biographique par M. Alleaume (in French). 2. Millwood (N.Y.): Kraus reprint.

External links[edit]

• Works by Cyrano de Bergerac at Project Gutenberg
• Works by or about Cyrano de Bergerac at Internet Archive
• Works by Cyrano de Bergerac at LibriVox (public domain audiobooks)
• Petri Liukkonen. 'Cyrano de Bergerac'. Books and Writers
• Le Vrai Cyrano de Bergerac – Biography (in French)
• Cyrano(s) de Bergerac – Information on fictional portrayals compared to the real person (in French)
• The Other World: Society and Government of the Moon – annotated English language edition